The 70th floor of a Yokohama skyscraper is ablaze with 193 lives trapped inside. MER rolls into action determined to save everyone.

Winning “Best Asian Drama for a Regional/Int’l Market at ContentAsia Awards 2022” and “Best Actor for 4th Asia Contents Awards”, TV series “TOKYO MER: Mobile Emergency Room" first aired in 2021 on TBS.
The protagonist is MER ("Mobile Emergency Room"), a team of emergency professionals on wheels formed by the Tokyo governor with one mission only: to prevent a single death. Tasked with rushing to the scene of major accidents, disasters, and crimes, MER is armed with state-of-the-art medical equipment, a mobile operating room, and an elite staff ready to risk all to save lives.


★Best Asian Drama for a Regional/Int’l Market at ContentAsia Awards 2022 (“TOKYO MER” TV series)

★Ryohei Suzuki / Best Actor for 4th Asia Contents Awards (“TOKYO MER” TV series)

Miyama is junior partner to Sada, who has just been named new director of the Madarame Law Office. When a party is held to announce the new director, the president of a major auto maker wants them to hire and train his granddaughter Honoka. A candidate for mayor needs their help clearing him of a bribery charges, which puts them up against a suave bribery lawyer accustomed to operating in “gray” legal territory. Can Miyama and company stay focused on finding truth and justice?

Kota Kitami, a brilliant young ER doctor, has been handpicked by Mayor Azusa Akatsuka to head a new emergency response team dubbed TOKYO Mobile Emergency Room, or MER, outfitted with leading-edge medical technology and a large mobile operating theatre to respond to major accidents, natural disasters, and other emergencies. Their mission is simple: Save every life. Team member Nao Otowa, sent by the Ministry of Health, Labour and Welfare on a secret mission, ends up forming a close professional bond with Kota, and together the two men put their lives on the line every day to rescue others. But perhaps there’s more to Kota’s superhuman bravery and self-sacrifice than meets the eye...

Hiroto Miyama is an unconventional young lawyer who dances to his own tune and gets a little obsessive. For one thing, he’s only interested in criminal cases, and he will never give up in his pursuit of the truth even if offers only a 0.1% chance of being discovered. Japan’s 99.9% criminal case conviction rate leads the world, attesting to a “highly reliable” judicial system.
In other words, once a crime suspect is indicted, prosecutor arguments tend to be accepted hook, line and sinker. In the face of those 99.9% odds, there’s no money in being a defense lawyer specializing in criminal cases, but for Miyama, that’s where the interest and kernels of truth lie. From unexpected places, the mold-breaking Miyama stakes his reputation on a prayer of a chance as he clashes with hotshot lawyers who’ll go to any lengths to win in this gloriously fun, legal mystery.

The long-awaited dramatization of Kiyoshi Shigematsu’s million bestseller and winner of the Naoki Literature prize, Second Chance Chauffeur begins with a man taking a ride in a car as he seeks to embark on a life do-over. But the drive sends him toggling supernaturally between past and future where he encounters his father. Both of the same age, the two forge an odd relationship that is neither father-son nor two friends. Kazuo (Hidetoshi Nishijima) is a staid and serious man who lost his family for failing to notice a dark illness that afflicted his wife. His father (Teruyuki Kagawa), on the other hand, was a freewheeling, passionate entrepreneur who built many successful businesses in the course of an illustrious career. Together, the two embark on a spiritual journey that prompts Kazuo to mature as a father and reach a place that will provide encouragement to all.