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Girls in the Bar 女はそれを許さない   여자는 그것을 용서하지 않아   女人絕不允許

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Rei Iwasaki is in her 30s and holds a lawyer’s license but is too shy and nervous to stand in court.
Rinka Ebisawa, by contrast, is a glamorous, haughty 40-something woman with superlative legal talent but lost her license after resorting to “gray” legal methods.
Now, two women incapable of practicing law alone find possibility as a pair with the assistance of a legal apprentice, Taisuke Takiguchi who works under a crackpot human-rights lawyer.
The two women embark on a host of legal cases as professional partners in this exhilarating life-size human drama about the struggles of work and friendship.
변호사이지만 법정에 설 용기가 없는 소심한 서른즈음의 이와사키 우라라.
명석하지만 대충의 실력으로 자격을 박탈당한 화려하고 거만한 마흔즈음의 에비사와 린카.
우연한 일을 계기로 알게 된 두사람. 혼자서는 변호사로 싸울 수 없지만 둘이라면 가능할지도!?
변호사 실격인 두사람이야말로 해결할 수 있는 일이 있지 않을까!?
가난한 인권파변호사사무실. 괴짜 인권파변호사 밑에서 젊고 정의감 넘치는 수습생 다키구치 타이스케와 우라라, 린카는 다양한 사건에 임하면서 일과 사랑에 분투한다.
擁有律師執照的但性格害羞無法上法庭辯護的年近30的女人-岩崎麗和優秀但是因為做了不正當的事情而被取消資格的年近40歲的傲慢女人-海老沢凛香。
在偶然的情況下認識的兩人,一個不敢辯護,一個沒有資格,那麼如果兩人聯手便有轉機?
在不同層面上都不算稱職的律師的兩個女人,是否也有可以解決的事件呢?
在沒有錢的人權派律師事務所裡工作的年輕富有正義感的實習生-滝口泰輔和岩崎麗以及海老沢凛香要一同挑戰各式各樣的案件,並共同為在戀愛和工作上打拼的女人們發聲!這是一部看了爽快的連續劇。

100 days ~Love, Marriage, Sickness and Mom~

結婚式の前日に   結婚前夕   결혼식 전날에

75 min × 1 ep / 60 min × 9 eps|10 episodes

Hitomi Serizawa leads a fulfilling professional and private life. What’s more, she will be getting married in 100 days. Plans are progressing smoothly until the unexpected appearance of her mother after an absence of 25 years. A free-spirited woman who lives impulsively and abandoned Hitomi to her stepfather, the mother, Kanako has suddenly decided to re-enter her daughter’s life in time to bask in the attention and respect given to the mother of a bride. Naturally, Hitomi is incensed and galled by the idea. But Hitomi soon finds out that her mother knows her intimately, for she has been corresponding with her mother all her life, believing her to be a childhood friend who moved away. As a result, Kanako knows all of HItomi’s closest-kept secrets, her innermost thoughts, everything about her upcoming marriage and even… that she was recently diagnosed with a life-threatening brain tumor that may ruin plans for the wedding. Hitomi makes every effort to resist her mother’s unsolicited intrusion into her life, but blood is thicker than water. And so begins the 100-day battle between a mother and daughter. Can it end well?

99 Years of Love: JAPANESE AMERICANS

99年の愛~JAPANESE AMERICANS   99 년의 사랑〜JAPANESE AMERICANS   99年的愛〜JAPANESE AMERICANS

150 min x 2 eps / 139 min x 2 eps / 125 min x 1 ep|5 episodes

99 years ago, a Japanese man emigrated to the vast expanse of America with hopes of survival and dreams of a brighter future. He and those like him were settlers, 1st generation Japanese-Americans. From them were issued a second generation which grew up bearing little knowledge of, nor devotion to, their parents’ homeland. And yet fate was to deliver them all a cruel blow... as war proceeded to tear them apart along national and generational lines. This is a story about Japanese immigrants who endured the horrors and tragedy of war, overcame deep prejudice and attained their dreams in a new land through love and courage.

AnDO NATSU

あんどーなつ   안도나쓰   安藤奈津

60 min x 12 eps|12 episodes

Natsu Ando, a pastry chef wanna-be, accidentally encounters a long-established Japanese confectionery shop founded in the Edo era called Mangetsu-do. To Natsu, who only knows Western confectionery techniques, the world of Japanese confectionery seems completely fresh and new. She witnesses the hard work of Japanese confectioners and somehow becomes attracted to the delicate taste of Japanese confectionery and the profoundness of the Japanese confectionery world, starting to set herself on the path of becoming a Japanese confectionery chef.

Brass Dreams

仰げば尊し   우러러보니 존귀한   仰望師恩

85 min × 1 ep / 75 min × 1 ep / 60 min × 6 eps|8 episodes

It is called “The Musical Koshien”, the All-Japan Wind & Brass Band High School Championship. Regional rounds begin across the country every July, gradually narrowing a field of over 3,000 high school bands to just about a dozen for the finals. Amid the event’s long history, one public school is legendary for having risen from complete anonymity to national champion. In 1983, Kanagawa Prefectural Noba High School was a rough and tumble, low-rated school with a music room littered with cigarette butts and an inactive brass band club made up of hopeless slackers. But in the short span of 2 years, one man turned them around and made them national heroes. Based on a true story about a teacher named Nakazawa who spent 10 years guiding students to glory while battling cancer, this inspiring drama depicts two years in the life of a broken down musician (Koichi Hikuma), searching for meaning after suffering an accident that forced him out of a musical career, and the turnaround he orchestrates for himself and for the lives of his problematic students.

Dr.STOЯKS

コウノドリ   產科醫鴻鳥   고우노도리

75 min × 2 eps / 60 min × 8 eps|10 episodes

Giving birth is not an illness. So naturally, it is not covered by standard medical insurance. People who work in maternity wards don’t treat injuries or cure disease. In fact, a professional doctor, an obstetrician, need not be present at a childbirth. But when complications arise, giving birth can become a life-or-death matter. Sakura Konotori lost his mother at his own birth and, as a result, grew up in an orphanage. Now he works as an obstetrician fueled by a deep love and yearning to “celebrate each and every baby that comes into the world”. But he is also something of a mystery, leading another life as a concert pianist who goes by the nickname “Baby” and plays with a passion that borders on brilliance. A delicate and realistic portrayal about the front lines of childbirth, Storks delivers a heartwarming drama that reflects upon the meaning and miracle of life.

High School Chorus

表参道高校合唱部   오모테산도 고교합창부   表参道高校合唱部

75 min x 1 ep / 60 min x 9 eps|10 episodes

Tokyo metropolitan Omotesando Senior High School is lorded over by a group of popular kids dubbed “the first team.” The rest of the student body either fall into the “second team” or lower, “the outsiders.” One day, a transfer student arrives at the school from the remote countryside as an unlikely heroine who “loves to sing!” The high school used to have one of the country’s best choruses, but is now facing the threat of closure. But the story’s heroine is determined to resuscitate the chorus and sets out to recruit new members. Fighting off a storm of ridicule and booing, she gradually begins to win allies to her cause with single-minded passion and hard work. What begins as a ragtag collection of misfits in a dorky glee club crescendos to a refreshing and bittersweet spring-of-youth drama!

NAOKI HANZAWA

半沢直樹   한자와 나오키   半澤直樹

114 min x 1 ep / 85 min x 2 eps / 75 min x 1 ep / 70 min x 1 ep / 60 min x 5 eps|10 episodes

It was the height of the Japanese economic bubble when Naoki Hanzawa landed a coveted job in a major bank. But he finds the life of a banker to be a stormy one. As a loan officer section chief, Hanzawa works to finance the Nishi Osaka Steel company 5 million dollars at the insistence of his stubborn branch manager, Asano, and without collateral! What appeared a blue chip company is actually a heavily indebted concern that has been cooking its books. Within 3 months of the loan, Nishi Osaka Steel goes bankrupt, and Hanzawa and his bank have been deceived out of 5 million dollars. Not willing to take the heat and jeopardize his career, Asano plots to lay the blame on Hanzawa. When called to headquarters in Tokyo to attend investigative hearings about the fiasco, Hanzawa decides instead to deny the money is lost and vows to recover it himself. A believer in the goodness of people, but aware that deception costs double, Naoki Hanzawa's life as a legendary maverick banker begins.

PLEASE LOVE ME!

ダメな私に恋してください   별볼일 없는 나를 사랑해 주세요   請和這個沒用的我談戀愛

75 min × 1 ep / 60 min × 9 eps|10 episodes

Michiko Shibata is single, unattached and unemployed after her previous employer went bankrupt. Failing to land a job, she leads a destitute life surviving mainly on cabbage but craving meat. And she has tapped out financially after lending all of her savings to a handsome young man she pines after.
Her life reaches an all-time low when she reaches for a can of cat food found on the street, but just then, former supervisor, Kurosawa appears and wonders what she’s doing. ”I’m dying for meat,” she wines. So Kurosawa takes her to a coffee shop he runs called “Himawari” (Sunflower) and offers her a part-time job. Michiko hesitates as she remembers the nightmarish life working under this tyrannical man at the last company. But at Himawari, he seems to show a different side. Maybe the fortunes of this sorry woman is about to change.

YAMEGOKU〜HELPLINE COP〜

ヤメゴク〜ヤクザやめてもらいます〜   야메고쿠 ~야쿠자 그만두겠습니다~   脫黑~不再當黑社會~

78 min x 1 ep / 70 min x 1 ep / 60 min x 8 eps|10 episodes

Inside the Metropolitan Police’s Organized Crime Task Force, a help line has been set up to assist repentant organized criminals in their effort to permanently cut ties with their syndicate. Dubbed the “Going straight hotline”, it is spearheaded by a fearless female police officer Bakushu Nagamitsu, played by former AKB48 member Yuko Oshima, who stands ready to crush anyone threatening those under her protective custody no matter how powerful that threat may be. Depicting the struggles and maturation of Bakushu and those around her, “Yamegoku” is a groundbreaking police drama with great heart and soul not seen since “SPEC” and “Keizoku”.

You're Not Alone

ひとりぼっちの君に   홀로인 너에게   不讓你孤單

60 min. x 12 eps.|12 episodes

His mother having left him, nine year-old Yuudai is forced to live alone and steal from a local convenience store to survive. Pursuing the wily thief to get back the stolen merchandise is the first act on the job for newly-arrived Shintaro, manager of the convenience store. Shintaro soon learns of Yuudai’s predicament however, and decides to take him in. Becoming his new family, Shintaro and his assistant, Satomi, soon discover that caring for a young boy who has such a troubled past and who is accustomed to fending for himself may be more than they can handle.