July 1999. The world is in turmoil. Nostradamus prophecies are on everybody’s lips. Chaos, violence and fear rule the day. In crazy times, a band of special men prepare to rise to the challenge and rescue mankind from the coming Armageddon.
Flash forward to 2022. Well, the end of the world did not come. And there are no signs that it will. With no opportunity to test their highly lethal fists, the downtrodden band of specially-trained men break off their ascetic training as their master gathers them to forlornly announce: “You are dismissed.”
A slightly different kind of coming-of-age tale unfolds about would-be world saviors rendered irrelevant by the times.

Film adaptation of Award-winning TV documentary

Storyline:
A tiny life takes on a life or death challenge amid the majestic grandeur of the Tateyama mountain range. Can a swan muster the courage to survive if it is unable to fly? A story sure to deepen your appreciation of life’s power and wonder.
In late autumn, over 800 swans from Siberia soar in to Toyama Prefecture in Japan’s Hokuriku region to wait out the winter months before heading back home again. In the spring of 2018, however, one particular swan with a broken wing was left behind unable to fly. It was spotted by bird watcher, Hirokazu Sawae (then 57), who has long been captivated by the grace and beauty of the swan and spends his time capturing their exploits with his video camera. Feeling for the injured swan, Sawae takes to feeding and monitoring its recovery, saying: “I want the bird to be able to rejoin his flock come next winter.” But nature is unforgiving and the law of the jungle still hold sway. Sawae had never seen a wild swan survive the sweltering heat of Toyama before. This will challenge every ounce of resourcefulness he and the swan can muster. In the process of the struggle, Sawae began to view the swan as a projection of himself. “It was as if the swan filled a hole in my heart.” “I am human, but I began to feel myself becoming a swan - one swan taking care of another.” Perhaps this allayed some of the hesitation Sawae felt about interfering with nature. Will the injured swan be reunited with his flock? Or will it take a miracle?

Awards: (TV documentary)
US International Film & Video Festival – Gold Camera
New York Festivals® TV & Film Awards - Finalist

The 2015 best-seller novel by Miu Kakiya has been adapted to film by director Tetsu Maeda (“A Banana? At This Time of Night?”). As of April, 2020, the book has sold over 260,000 copies.
In Japan, it is said you need 20 million yen saved up for retirement. Though everyone has their worries about the future, not many openly talk about it. This film comically depicts this problem through the eyes of a respectable-looking family that’s actually a bit dysfunctional.

The main character, Atsuko, is your average housewife who believes in frugality. She has a husband, Akira, who’s quite clueless about the family budget, a daughter who works part-time, and a son in college. Though Atsuko had been saving up for retirement, she gets in an argument with her sister-in-law and her husband one day, and she ends up having to pay 4 million yen for her father-in-law’s funeral. As if that’s not enough, her husband’s company goes bankrupt, she gets fired from her part-time job, her daughter wishes for a lavish wedding with her fiancé who’s in a heavy metal band, and her big-spending mother-in-law moves in. The family’s savings dwindle by the day.
Problems between husband and wife, parent and child, wife and mother-in-law, a child’s marriage, a child moving out, caring for a parent, and funerals… These are all problems that everyone faces. As the family is hit by one dilemma after another, they struggle and torment themselves in order to overcome adversity.

Revue Starlight is a new form of entertainment that fuses musicals with anime. Ever since the project was announced, there have been a wide variety of installments from a musical, anime, comic, smartphone game, to a music group by the nine main cast members: Starlight Kukugumi. And now, a long-awaited new anime movie is coming to theaters.
The new movie will depict a completely original story that continues from the TV anime Revue Starlight that aired in July, 2018, and the reproduction compilation Revue Starlight RONDE RONDE RONDE, which was released in August, 2020.

The 1998 Nagano Winter Olympics. Carrying the hopes of a nation, Japan’s was seeking its first ever gold medal in the Men’s Large Hill Team event. On the sidelines stood one man who harbored particularly strong emotions toward team ace, Masahiko Harada. That man was former Japan ski jumper, Jinya Nishikata.

In the previous Winter Olympic games at Lillehammer, Norway, Nishikata had appeared alongside Harada as a teammate. He had just made the team’s longest jump of 135 meters. Japan looked like it had the gold medal in the bag. But then Harada flubbed his jump. And they had to settle for second place, a silver medal. Vowing to erase that humiliation at the next winter games in Nagano four years later, Nishikata threw himself into training. But then he injured his back and was dropped from the team. His hopes crushed, Nishikata was, however, asked to participate in the Nagano games as a test jumper.

A test jumper’s job is check for any hazards on the hill prior to the event, and to make numerous jumps should it start to snow during the event to pack down the snow. Despite being resigned to a humiliating behind-the-scenes role, Nishikata gathered the other test jumpers, all with back stories of their own, and began preparing for the event.

And then it came. In the first round, Harada again made a poor showing. Team Japan fell to fourth place. But then a fierce blizzard blew in, stopping the action. If the event were to be called now, the first round results would stand.

Just then, the event judges called together all 25 of the test jumpers and said, “If you can all jump, we’ll resume the event.” Miraculously, Japan’s path to a gold medal lay open again, and in the hands of Nishikata and his 24 test jumpers.

Missing the last train of the day on Tokyo’s Keio Line at Meidaimae Station, college student Mugi Yamane (Masaki Suda) encounters Kinu Hachiya (Kasumi Arimura). Finding they have near identical tastes in music and movies, the couple quickly hit it off and embark on a romance that has them move in together when they graduate from college. They work temp jobs as they interview for full-time employment. They pick up a stray cat. Even as the iconic Shibuya Parco store closes and the mainstay TV show, SMAP×SMAP, airs its last show, Mugi and Kinu seek a status quo. They are inseparable and spend “the best 5 years ever!” hoping they’ll always be together. The many seasons they spend together will rekindle your memories of a halcyon time when the world was full of love.

35 years have elapsed since the greatest unsolved crime in the postwar era, an incident that involved a threatening phone call captured on tape that featured the “voice of a child.” So where is that child today?
The story follows one man who accidentally stumbles upon an old tape recording and discovers that the child’s voice belonged to him. But how? Both he and a newspaper reporter separately go in search of answers, gradually uncovering a human drama that plunges them inescapably into a deep, dark mystery.
Fate can’t be ignored. People can only face it, seek to overcome its challenges and then cling to that which they hold most dear. This film depicts how tragedy and destiny can waylay one’s best laid plans for life, until salvation is found.

This is a love story inspired by the song “Threads” by Miyuki Nakajima.
Nakajima’s song is about the miracle of meeting a loved one and the ties of love that bind them. The song, which imagines these ties as threads woven through life, was released in 1998 as a dedication at her friends’ wedding. Ever since, this song has been loved by millions and been covered by over 120 artists in Japan.

In 2019, the Heisei period has come to a close after 31 years. A boy and a girl, who were born in the 1st year of Heisei, meet each other in childhood, eventually fall in love, but become separated along life’s path. They live in totally different circumstances, but continue to keep each other in their thoughts.

Though life brings them together from time to time, it is difficult for them to re-establish their ties. Even so, they don’t forget to live their lives to the fullest and love those around them with everything they can. This film tells the story of thirty years in the lives of two people connected by a thread of destiny, and is sure to awaken in those who view it a new appreciation for meeting people.

Feature film adaptation of the popular TV anime, Shinkansen Henkei Robo Shinkalion. JR East Japan’s prototype bullet train ALFA-X, the most advanced model to date, transforms on screen into superhero robot, Shinkalion, introducing new characters and answering such questions as “How did the ALFA-X became Shinkalion?” And “Who’s the new kid?”

Story behind TV Anime Shinkansen Henkei Robot Shinkalion
The Shinkansen Super Advancement Research Institute has developed the “Shinkansen Henkei Robo Shinkalion” in an effort to save Japan from a threatening and monstrous entity that has produced a menacing “Jet Black Shinkansen“. Meanwhile, the Shinkalion transformer can only be piloted by children with a high degree of compatibility to it, but the institute’s researchers are determined to pool their strengths and vanquish this giant enemy. What however is the true purpose of the Jet Black Shinkasen? “Change! Shinkalion!”

Harashima, the #2 section chief was shocked to learn he would be replacing the #1 sales section chief Sakado, who was charged with abuse of powers on Yasumi, a known slacker by the entire section. . This however, was the entrance to the unimaginable dark secret of the company…

Original Novel: Jun Ikeido "Nanatsu No Kaigi"

One day, Asami calls her boyfriend and hears unfamiliar male voice on the other end. The man informs her that he found the lost smartphone and makes arrangements to return it to Asami. It safely reaches her, and she gives it back to her boyfriend. But she has no idea that the man, a serial killer, has hacked the smartphone and stolen all its data.

Original Novel: Akira Shiga ”Stolen Identity"

Café Funiculi Funicula is a coffee shop where Kazu Tokita works. There is a mysterious urban legend about this shope. When you sit at a certain table here, you can go back in time to any point you choose in the past, but there are also some uncompromising rules.

Rio, a modern city schoolgirl dreams of making a fateful encounter and falling in love. She goes to a rural town to spend the summer and meets Ginzo, a local schoolboy. He is aloof and slightly surly but actually has a kind heart, and Rio immediately falls for him. Rio wonders if Ginzo is “the one” but he rejects her without hesitation, saying “We're from two different worlds.” The summer is coming to an end. Their feelings intensify. What will become of their “summer only” romance?

Rikka is 18 and in the last year of high school. But she still acts like she’s in puberty.
It’s spring break and high school seniors are looking ahead to their college entrance exams. Rikka Takanashi and her boyfriend, Yuta Togashi, have been an item for a long time and live together, but their relationship seems frozen in time, unable to mature to the next level. Then one day, Rikka’s elder sister, Tohka, declares she’s taking her sister and the family to Italy where she’s landed a stable job.
Yuta panics despite agreeing with Tohka that Rikka can’t be left alone in Japan, and her chances of getting into college are slim. Still, the two lament the idea of being torn from each other. So at the suggestion of his friends, Yuta decides the two will elope, and a dramatic chase across Japan begins.

A woman is found strangled to death in an apartment in Tokyo’s Katsushika Ward.
The victim is Michiko Oshitani, a resident of Shiga Prefecture who worked for a home cleaning company.
What’s more, the occupant of the apartment where the murder took place, Mutsuo Koshikawa, has gone missing.
Matsumiya (Junpei Mizobata) and his fellow detectives of the Tokyo Metropolitan Police’s Investigation Section 1 begin investigating, but hit a brick wall when they fail to find any links between Oshitani and Koshikawa.
Why was Oshitani, who lived in Shiga, killed in Tokyo?
Eventually, the detectives’ inquiries lead them to a theater director named Hiromi Asai (Nanako Matsushima).
They learn that Oshitani came to Tokyo to visit her former classmate Asai, but again come up with nothing when searching for connections between Asai and Koshikawa, and their investigation grinds to a halt.
Matsumiya has a hunch that a charred corpse found nearby the murder scene may have some relevance to the case, and subsequently discovers an item among the victim’s belongings with the names of Nihonbashi’s 12 bridges written on it.
When Kyoichiro Kaga (Hiroshi Abe) learns of this, he is deeply shaken.
It is somehow connected to his mother, who died alone...

Hibiki is an awkward, 17-year-old high school sophomore who hasn't known romance.
But she's about to fall in love for the very first time. With whom?
A man who isn't great with words, but compassionate about his students.
It's her history teacher, Mr. Ito.
"Is it okay if I fall for you?" Hibiki asks.
"I'm afraid I can't return those feelings," is Ito's reply.
Hibiki's first love crashes before takeoff. But it doesn't matter.
"Still I want to cherish my crush anyway."
A teacher's heart begins to turn by a student's pure love.

There’s something bizarre about this town...
Morioh, a picturesque seaside town.
In this deceptively peaceful-looking locale, strange deaths and other peculiar incidents begin occurring one after another...
Morioh is home to high school student Josuke Higashikata. Although he has the outward appearance of a delinquent, he is actually kind at heart. He possesses a special power called “Stand,” and his unique ability can heal the wounds of others and fix broken objects just by touching them. When he learns that the unsettling events happening around him are the handiwork of other stand users, Josuke rises up to protect his beloved town!

A documentary about Kamejiro Senaga, the man who resisted America in U.S.-occupied Okinawa.
Okinawan opposition to U.S. military presence today draws its voice from him.
Following Japan’s defeat in World War II, one man fearlessly continued to stand up to U.S. military occupation of Okinawa. He was Kamejiro Senaga, a hero with an indefatigable spirit of resistance, capable of drawing tens of thousands of people to him, and firing them up with his speeches. The U.S. military feared him and looked to quiet him somehow, but Kamejiro continued the fight, first as Naha mayor, and then as a national diet assemblyman. Using actual footage and interviews with such people as Kamejiro’s daughter and former Okinawa governor, Keiichi Inamine, the untold story of Kamejiro Senaga, a man of deep conviction and passion, comes to life in this documentary film.

Her mission was to steal the formula to a top secret, best-selling cosmetics product! But then she experienced the love of people dedicated to beauty’s pursuit.
Akane Mitsusawa dreams of becoming a top-flight business consultant. But under orders of her lover and boss, Tsuyoshi Sakamoto, her first job as a rookie is to go undercover as a new employee at a venerable cosmetics company and be an industrial spy. She succeeds in earning the trust and esteem of her beauty department colleagues, and is quickly promoted to product development at headquarters, supported by Yurie Minegishi in human resources. And then one day, she gets a directive from Sakamoto to steal the secret to a long-selling, medicated skin conditioner that is slated for a model change. Fortunately, Akane is assigned to the R&D lab in charge of new skin conditioner development where she is given a cool reception by her new boss, Chika Nakanowatari. Determined to get the information she needs, Akane follows Nakanowatari to a research facility in Shirakami, but ends up getting lost in the snowy mountains. When she is at last found by Nakanowatari, Akane is surprised by the first-time display of emotion she receives from Nakanowatari, who slaps her and then embraces her. Akane begins to see the passion with which the people at this company make their cosmetic products and gradually begins to harbor doubts about her real mission. Then when she learns of Nakanowatari’s sad past, Akane feels her own life beginning to change.

Hikari Tomonaga has just entered high school at Central High in Fukui Prefecture and has joined the school’s cheerdancing team of instruction includes a prohibition against everything from covering your forehead to romance and anything that may distract focus and energy from the goal of winning a national championship in the U.S. Hikari watches as one member after another buckles under the pressure and drops out, but she herself, with the support of another freshman teammate, Ayano, decides to stick with it. But will this ordinary high school teen be able to help lead her team to an all American cheerdancing championship?

In 2002, a kidnapping has eerie parallels with ‘six-four’, an unsolved case from 1989 on which the Statute of Limitations looms one year hence.
The year 1989 began in Japan as ‘Showa 64’, the 64th year of the reign of the Showa Emperor Hirohito. With his death on January 8th, a new era began, and 1989 became ‘Heisei 1’.
On January 5th, a young girl is kidnapped. The kidnapper escapes with 20 million yen, but the girl is found murdered. Now, 14 years later, her father, a few aging police investigators, and the kidnapper himself still live in that week, in the case they have called ‘six-four’.
Former Detective Mikami has been moved from Investigations to the Administrative side of the Gunma Prefectural Police, where as Chief PR Officer he battles a recalcitrant press corps, Administration bureaucrats concerned only with the machinations of the National Police Agency in Tokyo, and his ex-colleagues suspicious of him and resentful of Tokyo’s attempts to assert control over the way they do their jobs. As the 15-year Statute of Limitations looms over the ‘6-4’ investigation, Tokyo is about to usurp the right to appoint Gunma’s Chief of Detectives. But now another girl has gone missing...

6 months have passed since national security policeman, Kuraki, along with fellow investigators Osugi and Akeboshi started poking around into a mysterious wife and child murder case. The so-called Mozu Incident exposed part of a shadowy organization within the police department, but proved to be only the tip of the iceberg for a much larger conspiracy. Two simultaneous terrorist acts, a skyscraper occupation and bombing, and the attacking to the embassy of Penam have put Kuraki and his team on the trail of “criminal planner” Takayanagi and professional assassin, Gondo. But they both work for someone deeper behind the scenes, cryptically known as “Daruma”, a man tied to Japan’s criminal history and who has been working on some elaborately nefarious plan. Kuraki and his partners’ pursuit of the truth take them to the Republic of Penam where they find themselves embroiled in deadly confrontation with their last true enemy, Daruma.

A nation of people seemingly content to go about their business, not thinking too much, but simply trying to lead normal and peaceful lives. And then one day, a bus jacking incident occurs to rouse them from their reverie.
Ex-boxer turned cop, Ichigo Kamikura leads the NPS (National Police Safety restcue), called “S”, effort to deal with the crisis, but so far, no demands have come from the perpetrator, and a sinking feeling of impending doom sets in among the force. Sure enough, a massive tanker off the Japanese coast in the Pacific is next reported as having been seized! On board is enough nuclear fuel to blow up the entire country.
A final battle begins with the nation’s future and the lives of 120 million at stake.....!

Reina Misaki is bank worker plagued by self-doubt for constantly bumbling her job. And then one night she attends a social mixer that leads to an interview with a public relations firm and a new job thanks to a whimsical president, despite her having given a very lackluster interview. On her first day at the new job, she is shocked to learn that her direct superior is Kusakabe, the very man who was so exasperated by her at the interview. Still, Reina also immediately earns the jealousy and enmity of fellow female workers who all pine after Kusakabe. But Kusakabe makes life a living hell for Reina, subjecting her to a daily barrage of work place abuse and criticism… until one day at a product meeting where she casually expresses an idea that much to her surprise gets adopted and becomes a major PR coup, drawing enormous media attention. Having transformed into the hottest person in the business, Reina is ecstatic when the company president names her to head up the next big account. It’s all smooth sailing until the day of the big campaign announcement when a host of trouble suddenly threaten to bring the world crashing down upon her. But someone steps in at the last minute with a helping hand: Kusakabe.

“Let me tell you what I will do tomorrow,” announces a man wearing a newspaper hat and posting a bizarre clip from an Internet cafe.
Meanwhile, at the cyber crime task force of the Metropolitan Police, it is the job of an elite female investigator, Erika Yoshino, to crack down on irresponsible acts committed online.
One day, her virtual dragnet snares an unsettling video. It is a man railing against an incident of food poisoning by a food company: “Those incapable of handling food will be thoroughly cooked themselves!” Moments later, a food factory is set on fire.
One after another, the newspaper man vigilante together with his cohorts, proceed to serve up their own brand of vigilante justice on the world. But in reality, they are embittered society dropouts who had degenerated to living in close quarters and doing hard labor.
The prophetic crimes eventually escalate to an alarming level with police fearing acts of organized terror. However, Yoshino begins to suspect that these are neither acts of terrorism nor crimes of pleasure but instead driven by a completely different purpose…