DigiCon6 ASIA, which began in 2000, has grown to become Asia’s largest short movie film festival. Currently, 10 countries and regions participate including Japan, China, Taiwan, India, Hong Kong, Korea, Malaysia, Singapore, Thailand and Indonesia. All submitted works have an easily viewable running time of 15 minutes or less, running the gamut of formats from CG animation (2D & 3D) and stop motion/clay animation to live action, and spanning a wide variety of genres from children’s animation and human drama to action and science fiction. Carefully-selected works by Asia’s top film creators are presented.
Over 100 works
15 minutes or less per work
Single-story format

Overcoming a tragic accident at a young age that confined her to a wheelchair and caused frequent memory loss, Tsukasa has an inspiring lust for life and energy. She plays sports and meets, then falls in love with, a young basketball-playing taxi driver named Masami. Soon, the two find themselves having to face a variety of challenges and difficulties form the world around them on their way to marriage and the dreams of building a blissful life together. This film is based on a miraculous story about an actual couple in Abashiri, Hokkaido. Tsukasa has been paralyzed on her left side since a traffic accident as a young girl, which also caused some brain damage, making her forget things easily.

Based on the writings of a true life, vision-impaired lawyer comes a story about a blind man who manages to pass the extremely difficult bar exam and earn his lawyer’s license. Long desiring to help the weak, Kensuke Okochi gets a job at an attorney’s office while he and his wife, also blind, look forward to their first child. When a plaintiff in a divorce case decides to withdraw from litigation, Kensuke worries at first that it has to do with his own perceived inadequacies as a lawyer, but a few days later, he is visited by the female plaintiff, Satomi, showing injuries to her body. While it appears an open and shut case of domestic violence with an audio recording as proof, Kensuke detects a “certain scent” coming from the plaintiff which gives him pause as to her real intentions.

A legendary television series and cultural asset that first aired 32 years ago, Mr. Kinpachi in Class B is famous for putting many social issues on the front burner of the public conscious over its long run, as filtered through the emotionally volatile lives of third year middle school students. The heartfelt relations between a devoted schoolteacher, Kinpachi Sakamoto, and his unique students have won the show high praise for several decades. Whether due to the pressures of exams, family relations, teachers and friends, graduating middle school students navigate a turbulent hormonal sea of “hope” and “frustration”, constantly shaped by the social environment of the times. Standing as a beacon in the storm and emitting messages of hope for each generation is one Japanese teacher, Kinpachi Sakamoto, who has come to be adored and admired by a nation through the adventures of Class 3B.

Real athletic competition is on display in this sports game show. A field of competitors that ranges from unknown amateurs to world class professional athletes provides remarkable stories of human spirit and achievement. The competition features incredibly challenging games that have been specially designed for this show and include Super Rider, Handwalking, Kick Target and Service Ace.

Yamakura of the Kobe Fire Department aspires to wear the vaunted “orange” uniform of an elite rescue force that only 3% of all firefighters can attain. But to do so, he and his fellow trainees must suffer through the most rigorous training. As Yamakura and his fellow trainees grit their teeth and complain, their superior officer, Sakurai, impresses upon them the lessons of the Great Hanshin Earthquake (Kobe Earthquake) 20 years ago as “the only time we ever lost.” What hap-pened on the front lines of rescue that day and in the aftermath? What raced through the hearts and minds of rescuers as they tried to get a handle on unimaginable disaster? The shocking facts pour from Sakurai’s mouth in hopes of preparing the recruits for the unforgettable event that awaits them.

The much-anticipated sequel to the SPEC series, Close comes to theaters in two parts, "incarnation" and "reincarnation" and promises to deliver an ultimate conclusion to the franchise and all SPEC holders who have appeared, both new and old. The world is divided into those who possess SPEC, and those who do not. The world is beginning to waver, and a period is about to be placed on the history of mankind. A simple plan. Fatima's 3rd prophecy. Solomon's key. All mysteries hitherto unsolved will be revealed! What fate awaits Toma and Sebumi and the whole human race here at the beginning of the end?

The setting is the Tsukishima district of Tokyo where the Summer Olympic Games will be held in five years. A small old-fashioned confectionary shop, “Sakuraya” stands as a remnant of the past amid the rapidly changing cityscape. Akiko Sakurai has been running the shop on a shoestring for over 50 years, along with her grandson, Taro (33) whom she raised form childhood after he lost his parents in a traffic accident. With them also is Reiko, a single mother who has returned to Tsukishima with her child. Seemingly left behind by a fast-moving world, Taro appears as something of a “loser” who finds himself reexamining his lost childhood in an effort to move forward. Life takes a strange turn when his grandmother, Akiko, receives a letter that she is being sued for damages because her cat, Mi-chan, allegedly scratched up a neighbor’s luxury car. What should be an easy case to win turns into a fumbling mess at the hands of Taro who can’t seem to win for losing in this wacky yet endearing and slightly heartwarming late-night drama.

A woman is found strangled to death in an apartment in Tokyo’s Katsushika Ward.
The victim is Michiko Oshitani, a resident of Shiga Prefecture who worked for a home cleaning company.
What’s more, the occupant of the apartment where the murder took place, Mutsuo Koshikawa, has gone missing.
Matsumiya (Junpei Mizobata) and his fellow detectives of the Tokyo Metropolitan Police’s Investigation Section 1 begin investigating, but hit a brick wall when they fail to find any links between Oshitani and Koshikawa.
Why was Oshitani, who lived in Shiga, killed in Tokyo?
Eventually, the detectives’ inquiries lead them to a theater director named Hiromi Asai (Nanako Matsushima).
They learn that Oshitani came to Tokyo to visit her former classmate Asai, but again come up with nothing when searching for connections between Asai and Koshikawa, and their investigation grinds to a halt.
Matsumiya has a hunch that a charred corpse found nearby the murder scene may have some relevance to the case, and subsequently discovers an item among the victim’s belongings with the names of Nihonbashi’s 12 bridges written on it.
When Kyoichiro Kaga (Hiroshi Abe) learns of this, he is deeply shaken.
It is somehow connected to his mother, who died alone...

"The Family", the program commemorating the 55th anniversary of the launch of the TBS TV station, is a social drama depicting the inside story between bureaucrats, politicians and big businesses over a bank merger revolving around the family discord between Daisuke Manpyou, the owner and president of Hanshin Bank, and his eldest son, Teppei. A program that was a big hit, "The Family" recorded average audience ratings of 23.9% in the Kanto region and 30.4% in the Kansai region.