Natsu Ando, a pastry chef wanna-be, accidentally encounters a long-established Japanese confectionery shop founded in the Edo era called Mangetsu-do. To Natsu, who only knows Western confectionery techniques, the world of Japanese confectionery seems completely fresh and new. She witnesses the hard work of Japanese confectioners and somehow becomes attracted to the delicate taste of Japanese confectionery and the profoundness of the Japanese confectionery world, starting to set herself on the path of becoming a Japanese confectionery chef.

It is called “The Musical Koshien”, the All-Japan Wind & Brass Band High School Championship. Regional rounds begin across the country every July, gradually narrowing a field of over 3,000 high school bands to just about a dozen for the finals. Amid the event’s long history, one public school is legendary for having risen from complete anonymity to national champion. In 1983, Kanagawa Prefectural Noba High School was a rough and tumble, low-rated school with a music room littered with cigarette butts and an inactive brass band club made up of hopeless slackers. But in the short span of 2 years, one man turned them around and made them national heroes. Based on a true story about a teacher named Nakazawa who spent 10 years guiding students to glory while battling cancer, this inspiring drama depicts two years in the life of a broken down musician (Koichi Hikuma), searching for meaning after suffering an accident that forced him out of a musical career, and the turnaround he orchestrates for himself and for the lives of his problematic students.

People are increasingly choosing to marry later in life, or not at all. In Japan today, one in five men and women over 39 remain single. Miyabi is a beautiful, successful dermatologist leading a fulfilling life as a single, free and powerful woman. Although 39, she believes she can marry anytime, if so inclined. That is, until she learns from a straight talking tavern owner and romance specialist that her looks, career and age actually put her at the bottom of the marrying totem. Incensed by his claim, Miyabi sets out to prove him wrong, only to discover to her horror that he's right. If she wants to find a life partner, she's going to have to swallow her pride and play by some crazy rules.
Modern romance and the plight of the working woman are scrutinized in this stylish yet real romantic comedy.

Iku Kasahara joins the ‘Task Force’, the special unit of the Kanto Area Library Defense Force, in search of her ‘prince’, a Task Force member who once rescued a book about to be seized from her by the ‘Betterment Squad’, the paramilitary arm of the Censorship Enforcement Agency. She does not remember what this man looks like, and is attached to the Dojo Squad, where she is trained to within an inch of her life by its martinet of an instructor, Atsushi Dojo.
She meets a Deaf woman, Marie Nakazawa, a childhood friend of an older member of the Task Force, Mikihisa Komaki, who is advising Marie on books she should read. Iku senses that Marie is in love with Komaki. Meanwhile, the librarian Asako Shibasaki is meeting frequently with a curator who has introduced himself as Shuji Asahina. Hikaru Tezuka, also of the Task Force, is fond of Asako, and is not sure what to think about all this.
Now Komaki is arrested by the Betterment Squad. A book he recommended to Marie had not been approved. Komaki is taken away, leaving the other members of the Task Force enraged at his detention on these dubious grounds.
To make matters even worse, Iku’s parents show up. They were strongly opposed to her joining Library Defense, and now her secret—the fact that much of her job involves armed combat—is revealed.
Will Komaki and Marie be torn apart? What fateful decision will Dojo make as confusion engulfs his unit? And how will Iku get through this?

The near future in Japan, in the age officially known as ‘Change for the Better’.
It is a time in which the expression of thought is censored, and the media is tightly controlled. Bearing up under a harsh regimen of instruction under the terrifying Atsushi Dojo, Iku Kasahara is now a full-fledged member of the Library Defense ‘Task Force’, and divides her time between hard physical training and regular library work. Dojo and the rest of the Task Force are ordered to guard a public exhibition featuring ‘The Handbook of Library Law’, a book widely seen as the symbol of freedom, of which there is only one existing copy. The assignment seems easy enough, but this is in fact a trap designed to wipe out and thus disband the Task Force and restore a twisted society to the correct moral path. Can Dojo and his unit defend both an invaluable book and themselves? The members of the Task Force must put their lives on the line in the greatest battle they have ever faced: The Last Mission.

Screenwriter Yumiko Inoue and producer Hiroki Ueda join forces to spin a wholly new type of nurse story reminiscent of an ancient inner palace drama. Set in a top-class hospital where nurses cater to a very exclusive and well-heeled class of clientele, a once altruistic nurse, Akari Arimura, lands work in the hospital where the country’s most elite politicians, entertainers and intelligentsia spare no cost for pampered medical care.
Seeking a rich husband after enduring harsh treatment at her former place of employment, Arimura finds herself once again at the bottom of a rigid pecking order controlled by a domineering head nurse who makes life hell for Arimura and her fellow, low-ranking, “generic” nurses as they become embroiled in “palace” politics, infighting and romance. A moving and romantic tale of personal growth proving that nurses are human, too.

This is a unique program that introduces “izakayas” (Japanese-style bars) in downtown Tokyo, where “any adult can drop by alone when ever he feels like it.” One izakaya began as a food stall 80 years ago, another one serves raw pork guts… Every izakaya serves its own unique variety of Japanese sake and dishes, and viewers can enjoy watching the reality of the dramatic lives of its people. The program features the wonderful drinking experiences of illustrator Rui Yoshida and offers an introduction to the humanity of the people of downtown Tokyo.

Kokoro Kurosawa is a musclebound judo athlete who upon graduation from university joins a major publishing company and is assigned to the editing desk of a weekly comic magazine called “Vibes”, full or very unique individuals and oddly-named senior editor, Iokibe. She becomes enthralled with the world of comic publishing with all of its meetings with serial cartoon writers, discovery of new talent, negotiating of issue volume, and working to secure second print runs. Despite her enthusiasm, Kokoro comes face to face with the hard realities of publishing as more content goes digital, and the days of the printed page appear numbered. If a comic book series doesn’t catch fire by its 3rd volume, it is doomed. Hoping to resuscitate fading “manga” artists on the cusp of oblivion, Kokoro and her colleagues strike upon a unique plan to produce a big hit, but must contend with their marquee writer being headhunted by a rival magazine, and the constant threat of discontinued publication. It’s one crisis after another for this plucky editing team.

Miyuki Miyamoto is an 8-year-old girl who lost her mother few years ago and now lives with her father, Ryoichi. When one day a hard-working career woman, Akiko Iwamoto, appears and becomes Miyuki’s new stepmom, Miyuki resists, particularly seeing Akiko presents herself with a business card. But Akiko, determined to win over Miyuki’s heart, uses all of her business experience and acumen to the task. And yet, none of her efforts succeed. Ryoichi, too, tries desperately to persuade Miyuki to accept her new stepmom, but he is simply no match for his daughter’s intransigence. Nevertheless, Miyuki finds herself gradually thinking hard about whether to ultimately accept Akiko. The show paints a vivid picture of the ordinary joys and tears of everyday life, punctuated by the occasional small miracles.

Mikuri is a young woman with a graduate degree. But when no offers of employment come her way, she’s forced into taking on temp work and confronting “the painful realization that nobody needs her.” That’s when Mikuri lands a job as a professional homemaker for a strait-laced bachelor named Hiramasa. Mikuri’s perfectionist work ethic wins over Hiramasa’s complete trust, but unfortunate circumstances result in the loss of this job, too. Feeling anxious about the future, Mikuri makes Hiramasa a strange offer. “Would you consider employing me through marriage?” He agrees, and a nuptial agreement is signed, making the two legally betrothed in a somewhat falsified life as husband/employer and wife/employee.
Can the couple function in a strictly professional relationship like this without the truth becoming known? Is there any chance of a chemical reaction between a pure company man and a dreamer woman thrown together for mere convenience?