Hitomi Serizawa leads a fulfilling professional and private life. What’s more, she will be getting married in 100 days. Plans are progressing smoothly until the unexpected appearance of her mother after an absence of 25 years. A free-spirited woman who lives impulsively and abandoned Hitomi to her stepfather, the mother, Kanako has suddenly decided to re-enter her daughter’s life in time to bask in the attention and respect given to the mother of a bride. Naturally, Hitomi is incensed and galled by the idea. But Hitomi soon finds out that her mother knows her intimately, for she has been corresponding with her mother all her life, believing her to be a childhood friend who moved away. As a result, Kanako knows all of HItomi’s closest-kept secrets, her innermost thoughts, everything about her upcoming marriage and even… that she was recently diagnosed with a life-threatening brain tumor that may ruin plans for the wedding. Hitomi makes every effort to resist her mother’s unsolicited intrusion into her life, but blood is thicker than water. And so begins the 100-day battle between a mother and daughter. Can it end well?

99 years ago, a Japanese man emigrated to the vast expanse of America with hopes of survival and dreams of a brighter future. He and those like him were settlers, 1st generation Japanese-Americans. From them were issued a second generation which grew up bearing little knowledge of, nor devotion to, their parents’ homeland. And yet fate was to deliver them all a cruel blow... as war proceeded to tear them apart along national and generational lines. This is a story about Japanese immigrants who endured the horrors and tragedy of war, overcame deep prejudice and attained their dreams in a new land through love and courage.

Set at a famous high school for the super-wealthy, this is a puppy love story centered on Tsukushi Makino a poor girl, and the F4 gang of rich kids headed by the rough and fearless Prince Charming Tsukasa Domyoji. A total of 55 million copies of the popular original comic have been published, and the story has been turned into a movie and TV animation. In 2001, it was remade as a TV drama series in Taiwan, and has been broadcast in 13 countries worldwide, achieving high ratings. Producer Katsuaki Setoguchi based his casting on the characters as portrayed in the original manga. “By showing these kids growing up together, and their social interactions in all their clumsiness,” he says, “I wanted to ask, what is really important in life, and how do we live true to ourselves, and love another person?”

Giving birth is not an illness. So naturally, it is not covered by standard medical insurance. People who work in maternity wards don’t treat injuries or cure disease. In fact, a professional doctor, an obstetrician, need not be present at a childbirth. But when complications arise, giving birth can become a life-or-death matter. Sakura Konotori lost his mother at his own birth and, as a result, grew up in an orphanage. Now he works as an obstetrician fueled by a deep love and yearning to “celebrate each and every baby that comes into the world”. But he is also something of a mystery, leading another life as a concert pianist who goes by the nickname “Baby” and plays with a passion that borders on brilliance. A delicate and realistic portrayal about the front lines of childbirth, Storks delivers a heartwarming drama that reflects upon the meaning and miracle of life.

Tokyo metropolitan Omotesando Senior High School is lorded over by a group of popular kids dubbed “the first team.” The rest of the student body either fall into the “second team” or lower, “the outsiders.” One day, a transfer student arrives at the school from the remote countryside as an unlikely heroine who “loves to sing!” The high school used to have one of the country’s best choruses, but is now facing the threat of closure. But the story’s heroine is determined to resuscitate the chorus and sets out to recruit new members. Fighting off a storm of ridicule and booing, she gradually begins to win allies to her cause with single-minded passion and hard work. What begins as a ragtag collection of misfits in a dorky glee club crescendos to a refreshing and bittersweet spring-of-youth drama!

The near future in Japan, in the age officially known as ‘Change for the Better’.
It is a time in which the expression of thought is censored, and the media is tightly controlled. Bearing up under a harsh regimen of instruction under the terrifying Atsushi Dojo, Iku Kasahara is now a full-fledged member of the Library Defense ‘Task Force’, and divides her time between hard physical training and regular library work. Dojo and the rest of the Task Force are ordered to guard a public exhibition featuring ‘The Handbook of Library Law’, a book widely seen as the symbol of freedom, of which there is only one existing copy. The assignment seems easy enough, but this is in fact a trap designed to wipe out and thus disband the Task Force and restore a twisted society to the correct moral path. Can Dojo and his unit defend both an invaluable book and themselves? The members of the Task Force must put their lives on the line in the greatest battle they have ever faced: The Last Mission.

It is a warring period in feudal Japan. The warlord, Nobunaga Oda, is rapidly vanquishing his foes on a quest to pacify and unify the country under his rule. However, there is one domain that he forbids to lay a hand on, that of the Iga ninja, whom even the great Nobunaga fears most. The Iga are known to wield extraordinary and supernatural powers as invincible weapons of war who will assassinate anyone for money, and money only. They don’t think of people as human and are dubbed “the killer clan”. But there is one Iga ninja, Mumon, who while peerless in ability is indolent and taken to task for an inability to earn much of an income. In the fall of the year Tensho 7, Nobunaga’s second son, Nobukatsu Oda, decides to ignore his father’s orders and attack the Iga country, partly encouraged by Taizen Heki, a man who had once turned on his master and was now employed as a vassal of Nobukatsu. Heibe Shimoyama, whose brother had been killed by Mumon also seeks revenge on the 12 Iga ninja core, including Sandayu Momoji and Kai Shimoyama. Amid various colliding interests and schemes, ultimately, a major bloody showdown is coming between Oda’s army and the Iga ninja.

Michiko Shibata is single, unattached and unemployed after her previous employer went bankrupt. Failing to land a job, she leads a destitute life surviving mainly on cabbage but craving meat. And she has tapped out financially after lending all of her savings to a handsome young man she pines after.
Her life reaches an all-time low when she reaches for a can of cat food found on the street, but just then, former supervisor, Kurosawa appears and wonders what she’s doing. ”I’m dying for meat,” she wines. So Kurosawa takes her to a coffee shop he runs called “Himawari” (Sunflower) and offers her a part-time job. Michiko hesitates as she remembers the nightmarish life working under this tyrannical man at the last company. But at Himawari, he seems to show a different side. Maybe the fortunes of this sorry woman is about to change.

A nation of people seemingly content to go about their business, not thinking too much, but simply trying to lead normal and peaceful lives. And then one day, a bus jacking incident occurs to rouse them from their reverie.
Ex-boxer turned cop, Ichigo Kamikura leads the NPS (National Police Safety Rescue), called “S”, effort to deal with the crisis, but so far, no demands have come from the perpetrator, and a sinking feeling of impending doom sets in among the force. Sure enough, a massive tanker off the Japanese coast in the Pacific is next reported as having been seized! On board is enough nuclear fuel to blow up the entire country.
A final battle begins with the nation’s future and the lives of 120 million at stake.....!

His mother having left him, nine year-old Yuudai is forced to live alone and steal from a local convenience store to survive. Pursuing the wily thief to get back the stolen merchandise is the first act on the job for newly-arrived Shintaro, manager of the convenience store. Shintaro soon learns of Yuudai’s predicament however, and decides to take him in. Becoming his new family, Shintaro and his assistant, Satomi, soon discover that caring for a young boy who has such a troubled past and who is accustomed to fending for himself may be more than they can handle.