Our favorite gung-ho teacher is back! A few years ago, a group of struggling students at a low-ranked high school made it into Japan’s top college, Tokyo University – thanks to Kenji Sakuragi, a down-on-his-luck lawyer-turned-teacher. But soon afterward, he left the school and disappeared. Now another school has tracked him down and hired him, in hopes he can turn things around. So, Sakuragi makes his comeback, this time with the motto: “Times are tough! So get a move on!” Students are overwhelmed with choices and desperate for something to hold onto. With his profound belief in their ability, Kenji offers a ray of hope. But it won’t be easy! This gripping series depicts the anxieties of today’s youth and the problems faced by parents, and provides insights on how to get ahead professionally. You’ll understand why Kenji Sakuragi is still repeating his famous line, “Suck it up! Just get into Tokyo University!”

Now sidelined due to injury and age, former pro-wrestling star Juichi Miyama was once groomed by his father, Jusaburo, an acclaimed Noh actor and “Living National Treasure,” to be his successor. But the young Juichi rebelled, left home, and cut off ties with his family. Now he’s just learned that his father, having miraculously survived a critical illness, intends to marry his young caregiver and leave all his money to her. So Juichi decides to return home to help with his father’s care, setting the stage for a showdown between Juichi’s family on one side and his father’s mysterious caregiver on the other.

Kanzaki is a serious, career detective with a touch of humanism who is mortified when he is assigned a new
partner in Kuroki, an ultra hard-nosed, rough-and-tumble cop. With their diametrically-opposed personalities and views on life, they form an odd pair battling crime in highly-satisfying police drama style. Kanzaki is seeking to follow in the path of his policeman father whom he greatly admires. Kuroki boasts the highest arrest rate on the force through his strong gut feelings and perceptive mind. But the two men share one secret that mustn’t get out: they are half-brothers. They may think and act very differently, but therein lies their biggest crime-fighting weapons.

A satisfyingly heart-warming comedy in support of all people struggling to make their way in an age of revolutionary changes to the workplace. First tackling the issue of overtime work, the drama spotlights not only systemic reforms taking place, but the change in mindset occurring among working people as they re-envision the shape of future society and the balance between life and work. Currently, Japanese society encompasses widening views on overtime including those who regard it as a necessary evil and others who still see it as a virtue. The protagonist in this story, however, does not. As is a new-age working girl with the personal motto: “Go home at the appointed time,” her working life is a constant battle with High-maintenance r colleagues and ethically-questionable superiors. And yet she still manages to discover small miracles every day, imparting pithy yet inspirational messages about Why we work, the importance of self-love and the value of friendship.

Dr.STOЯKS returns after its immensely popular first season ended in October, 2015. Treating new thematic questions of “What is birth?” “What is life?”. Two years have elapsed since the previous series with Dr. Sakura Konotori and the staffs around him having helped families bring a lot of newborn life into the world. Episode 1 sees Dr. Sakura, returning to the Persona General Medical Center from a remote Japanese island, diagnose an expectant mother named Mana who is deaf. Prior to her giving birth, however, she reveals a major concern that she has, and so resumes another round of miraculous medical, human drama.

Giving birth is not an illness. So naturally, it is not covered by standard medical insurance. People who work in maternity wards don’t treat injuries or cure disease. In fact, a professional doctor, an obstetrician, need not be present at a childbirth. But when complications arise, giving birth can become a life-or-death matter. Sakura Konotori lost his mother at his own birth and, as a result, grew up in an orphanage. Now he works as an obstetrician fueled by a deep love and yearning to “celebrate each and every baby that comes into the world”. But he is also something of a mystery, leading another life as a concert pianist who goes by the nickname “Baby” and plays with a passion that borders on brilliance. A delicate and realistic portrayal about the front lines of childbirth, Storks delivers a heartwarming drama that reflects upon the meaning and miracle of life.

A dramatization of a work by Japan's undisputed queen of mystery and perenially popular author, Miyuki Miyabe. Saburo Sugimura is employed in the public relations sections of huge conglomerate, Imada Corporation. when he receives an odd request from his father-in-law, Yoshichika Imada, the company chairman. The favor has something to do with looking into the tragic death of the chairman's personal driver, Nobuo Kajita, who had been an enthusiastic supporter of Sugimura's marriage to the chairman's daughter. While Sugimura hopes the death was nothing more than an accident, new facts come to light that point instead to foul play. All people have "poison" in their hearts in varying quantities, and Sugimura finds that Kajita's death may have been the result of the daily gradual spread of secretly-harbored poison of the heart. Here then ensues a genuine psycho thriller that brings the varied drama of the human condition into bold relief.

May, 2007. The Jikei Hospital is a small clinic in Kumamoto Prefecture operating out of a pri-vate dwelling that begins accepting anonymous “deposits” (“Baby Post”) of unwanted infants abandoned by their parents for various reasons under the operational name, “Stork Nest.” Based on a true story, this moving human drama, fictionalized to protect privacy, depicts the passion and dedication of hospital staff as they rescue 92 abandoned infants over a period six years, all the while overcoming public criticism.