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NAOKI HANZAWA 半沢直樹   한자와 나오키   半澤直樹

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【2nd Season】Naoki Hanzawa is back! A banker at the Tokyo Central Bank who's exposed many injustices inside the bank , the story begins with his being sent off to a subsidiary company, Tokyo Central Securities. Hanzawa commands a band of workers who are part of the so-called “lost generation.” Together, they confront and overcome numerous workplace challenges. Can they secure “double revenge” for clients and their outlandish demands ?
Convention - busting banker hero, Naoki Hanzawa, underwrites a new legendary chapter in the financial world.
도쿄 중앙은행 뱅커 한자와 나오키.
은행 내에서 일어난 수많은 부정을 밝혀내지만 결국 좌천을 명령받고 도쿄센트럴 증권으로 부임하면서 이야기가 시작된다.
한자와는 로스트 제너레이션 세대 부하들과 함께 교활한 방법을 사용하는비열한 모회사에 업무를 통해 역습을 가한다. 과연 한자와 나오키는 전임지에서차례로 발생하는 문제를 극복하고 불합리한 요구를 내세우는 상대에게 「두배로갚는다」를 실현할 수 있을까!?
파격적인 뱅커, 한자와 나오키의 새로운 전설이 역사에 새겨진다!!
東京中央銀行的銀行工作人員半澤直樹,在揭發了銀行內部種種營私舞弊之後,沒想到被降級調職,被派到了東京中央證券,故事就是從這裏開始。
半澤和被稱為迷失的一代的下屬們一起重整旗鼓,逆襲了在工作上使用肮髒卑劣手段的母公司。最終半澤直樹能否在派遣的證券公司裏克服一次又一次的困境,對那些提出無理要求的對手“加倍奉還”呢?與以往的銀行人員形象截然不同的半澤直樹的新傳說將篆刻上曆史!

AnDO NATSU

あんどーなつ   안도나쓰   安藤奈津

60 min x 12 eps|12 episodes

Natsu Ando, a pastry chef wanna-be, accidentally encounters a long-established Japanese confectionery shop founded in the Edo era called Mangetsu-do. To Natsu, who only knows Western confectionery techniques, the world of Japanese confectionery seems completely fresh and new. She witnesses the hard work of Japanese confectioners and somehow becomes attracted to the delicate taste of Japanese confectionery and the profoundness of the Japanese confectionery world, starting to set herself on the path of becoming a Japanese confectionery chef.

Brass Dreams

仰げば尊し   우러러보니 존귀한   仰望師恩

85 min × 1 ep / 75 min × 1 ep / 60 min × 6 eps|8 episodes

It is called “The Musical Koshien”, the All-Japan Wind & Brass Band High School Championship. Regional rounds begin across the country every July, gradually narrowing a field of over 3,000 high school bands to just about a dozen for the finals. Amid the event’s long history, one public school is legendary for having risen from complete anonymity to national champion. In 1983, Kanagawa Prefectural Noba High School was a rough and tumble, low-rated school with a music room littered with cigarette butts and an inactive brass band club made up of hopeless slackers. But in the short span of 2 years, one man turned them around and made them national heroes. Based on a true story about a teacher named Nakazawa who spent 10 years guiding students to glory while battling cancer, this inspiring drama depicts two years in the life of a broken down musician (Koichi Hikuma), searching for meaning after suffering an accident that forced him out of a musical career, and the turnaround he orchestrates for himself and for the lives of his problematic students.

It's not that I can't marry. I don't marry.

私結婚できないんじゃなくて、しないんです   전 결혼을 못하는게 아니라 안하는 겁니다   我不是無法結婚,我是不婚

75 min × 1eps / 60 min × 9eps|10 episodes

People are increasingly choosing to marry later in life, or not at all. In Japan today, one in five men and women over 39 remain single. Miyabi is a beautiful, successful dermatologist leading a fulfilling life as a single, free and powerful woman. Although 39, she believes she can marry anytime, if so inclined. That is, until she learns from a straight talking tavern owner and romance specialist that her looks, career and age actually put her at the bottom of the marrying totem. Incensed by his claim, Miyabi sets out to prove him wrong, only to discover to her horror that he's right. If she wants to find a life partner, she's going to have to swallow her pride and play by some crazy rules.
Modern romance and the plight of the working woman are scrutinized in this stylish yet real romantic comedy.

LIBRARY WARS: BOOK OF MEMORIES

図書館戦争BOOK OF MEMORIES   도서관 전쟁 BOOK OF MEMORIES   圖書館戰爭SP

120 min × 1 ep|Ep 1

Iku Kasahara joins the ‘Task Force’, the special unit of the Kanto Area Library Defense Force, in search of her ‘prince’, a Task Force member who once rescued a book about to be seized from her by the ‘Betterment Squad’, the paramilitary arm of the Censorship Enforcement Agency. She does not remember what this man looks like, and is attached to the Dojo Squad, where she is trained to within an inch of her life by its martinet of an instructor, Atsushi Dojo.
She meets a Deaf woman, Marie Nakazawa, a childhood friend of an older member of the Task Force, Mikihisa Komaki, who is advising Marie on books she should read. Iku senses that Marie is in love with Komaki. Meanwhile, the librarian Asako Shibasaki is meeting frequently with a curator who has introduced himself as Shuji Asahina. Hikaru Tezuka, also of the Task Force, is fond of Asako, and is not sure what to think about all this.
Now Komaki is arrested by the Betterment Squad. A book he recommended to Marie had not been approved. Komaki is taken away, leaving the other members of the Task Force enraged at his detention on these dubious grounds.
To make matters even worse, Iku’s parents show up. They were strongly opposed to her joining Library Defense, and now her secret—the fact that much of her job involves armed combat—is revealed.
Will Komaki and Marie be torn apart? What fateful decision will Dojo make as confusion engulfs his unit? And how will Iku get through this?

LIBRARY WARS: THE LAST MISSION

図書館戦争 THE LAST MISSION   도서관 전쟁 THE LAST MISSION   圖書館戰争 THE LAST MISSION

120 min.

The near future in Japan, in the age officially known as ‘Change for the Better’.
It is a time in which the expression of thought is censored, and the media is tightly controlled. Bearing up under a harsh regimen of instruction under the terrifying Atsushi Dojo, Iku Kasahara is now a full-fledged member of the Library Defense ‘Task Force’, and divides her time between hard physical training and regular library work. Dojo and the rest of the Task Force are ordered to guard a public exhibition featuring ‘The Handbook of Library Law’, a book widely seen as the symbol of freedom, of which there is only one existing copy. The assignment seems easy enough, but this is in fact a trap designed to wipe out and thus disband the Task Force and restore a twisted society to the correct moral path. Can Dojo and his unit defend both an invaluable book and themselves? The members of the Task Force must put their lives on the line in the greatest battle they have ever faced: The Last Mission.

Nurses of the Palace

まっしろ   새하얗다   純白

75 min x 1 ep. / 60 min x 9 eps|10 episodes

Screenwriter Yumiko Inoue and producer Hiroki Ueda join forces to spin a wholly new type of nurse story reminiscent of an ancient inner palace drama. Set in a top-class hospital where nurses cater to a very exclusive and well-heeled class of clientele, a once altruistic nurse, Akari Arimura, lands work in the hospital where the country’s most elite politicians, entertainers and intelligentsia spare no cost for pampered medical care.
Seeking a rich husband after enduring harsh treatment at her former place of employment, Arimura finds herself once again at the bottom of a rigid pecking order controlled by a domineering head nurse who makes life hell for Arimura and her fellow, low-ranking, “generic” nurses as they become embroiled in “palace” politics, infighting and romance. A moving and romantic tale of personal growth proving that nurses are human, too.

SAKABA: Bar Hopping Report by Rui Yoshida

吉田類の酒場放浪記   요시다 루이의 술집방랑기   吉田類的酒場放浪記

15 min series|100+ eps

This is a unique program that introduces “izakayas” (Japanese-style bars) in downtown Tokyo, where “any adult can drop by alone when ever he feels like it.” One izakaya began as a food stall 80 years ago, another one serves raw pork guts… Every izakaya serves its own unique variety of Japanese sake and dishes, and viewers can enjoy watching the reality of the dramatic lives of its people. The program features the wonderful drinking experiences of illustrator Rui Yoshida and offers an introduction to the humanity of the people of downtown Tokyo.

Sleepeeer hit!

重版出来!   중쇄를 찍자!

75 min × 1 ep / 60 min × 9 eps|10 episodes

Kokoro Kurosawa is a musclebound judo athlete who upon graduation from university joins a major publishing company and is assigned to the editing desk of a weekly comic magazine called “Vibes”, full or very unique individuals and oddly-named senior editor, Iokibe. She becomes enthralled with the world of comic publishing with all of its meetings with serial cartoon writers, discovery of new talent, negotiating of issue volume, and working to secure second print runs. Despite her enthusiasm, Kokoro comes face to face with the hard realities of publishing as more content goes digital, and the days of the printed page appear numbered. If a comic book series doesn’t catch fire by its 3rd volume, it is doomed. Hoping to resuscitate fading “manga” artists on the cusp of oblivion, Kokoro and her colleagues strike upon a unique plan to produce a big hit, but must contend with their marquee writer being headhunted by a rival magazine, and the constant threat of discontinued publication. It’s one crisis after another for this plucky editing team.

Stepmom and Daughter Blues

義母と娘のブルース   의붓엄마와 딸의 블루스   繼母與女兒的藍調

67 min × 10 eps|Eps 10

Miyuki Miyamoto is an 8-year-old girl who lost her mother few years ago and now lives with her father, Ryoichi. When one day a hard-working career woman, Akiko Iwamoto, appears and becomes Miyuki’s new stepmom, Miyuki resists, particularly seeing Akiko presents herself with a business card. But Akiko, determined to win over Miyuki’s heart, uses all of her business experience and acumen to the task. And yet, none of her efforts succeed. Ryoichi, too, tries desperately to persuade Miyuki to accept her new stepmom, but he is simply no match for his daughter’s intransigence. Nevertheless, Miyuki finds herself gradually thinking hard about whether to ultimately accept Akiko. The show paints a vivid picture of the ordinary joys and tears of everyday life, punctuated by the occasional small miracles.

The Full-Time Wife Escapist

逃げるは恥だが役に立つ   도망치는건 부끄럽지만 도움이 된다   逃避虽可耻但有用

75 min × 3 eps / 60 min × 8 eps|11 episodes

Mikuri is a young woman with a graduate degree. But when no offers of employment come her way, she’s forced into taking on temp work and confronting “the painful realization that nobody needs her.” That’s when Mikuri lands a job as a professional homemaker for a strait-laced bachelor named Hiramasa. Mikuri’s perfectionist work ethic wins over Hiramasa’s complete trust, but unfortunate circumstances result in the loss of this job, too. Feeling anxious about the future, Mikuri makes Hiramasa a strange offer. “Would you consider employing me through marriage?” He agrees, and a nuptial agreement is signed, making the two legally betrothed in a somewhat falsified life as husband/employer and wife/employee.
Can the couple function in a strictly professional relationship like this without the truth becoming known? Is there any chance of a chemical reaction between a pure company man and a dreamer woman thrown together for mere convenience?