A medical thriller based on Takeru Kaido's novel, Black Forceps 1988, protagonist Seishiro Tokai is a surgical genius whose perfect operational success rate has earned him the monikier, “The Demon of O.R.” at the Tojo University Hospital, a name that also points to his overbearing and solitary personality. He is countered by a rookie physician, Gonta Takashina, who comes to the hospital from a different medical university advocating hard for cutting edge medical technology that promises to render individual differences in surgical skill obsolete and level the playing field among surgeons. Naturally, a battle brews Takashina and Tokai who is adverse to the idea of machines taking over surgical procedures, particularly with regard to cardiac surgery. Tokai also confronts a powerful university hospital system that is rife with jealousies and political intrigue, and seeks to expose a hidden past and new technology corruption scandal in this highly entertaining medical drama.

A thousand years after the world was rebuilt with clockwork, machine-obsessed Naoto Miura becomes the master of an automaton named RyuZU. When this beautiful piece of machinery crashed into his apartment, Naoto’s superhuman hearing allowed him to fix her broken cogs—but little did he know it would land him squarely in the middle of a horrific government conspiracy! Teaming up with a pint-sized clock technician and her trusty bodyguard, they set out to fix more than just the broken gears of the world.

How to win the greatest love by the worst means! The world of romance is not for the timid. For Jiro Kagami, who has never been popular with the girls, the only way to win the heart of his beloved Yuri is by beating out four rivals with the use of a so-called “dark machine” that he hopes will make up for his lack of a way with women.

Hayami became the first Asian female chef to earn a three-star Michelin rating within just a year of opening her restaurant. However, the spread of the new coronavirus caused a severe blow to her business. In a bid to survive, she returns to online sales of frozen dinners and recipes, which causes her dishes to focus more on appearance than taste, putting ‘Grand Maison Tokyo’ in danger of losing one of its Michelin stars. Meanwhile, the restaurant’s former top chef, Natsuki Obana, has disappeared somewhere in France. However, when Hayami visits a restaurant in Kyoto, rumored to soon be nominated as the world’s best French restaurant, she is convinced that Obana is there. Why has he mysteriously returned to Japan?!

Haruki Mizunuma is a workaholic who runs a design office in Tokyo and has left the rearing of his grade school son, Ren, completely to his wife, Kyoko. But she becomes hospitalized for de-terioration health. Treatment fails to work and suddenly, she has departed from this world. Ha-ruki is not ready to be suddenly raising a son by himself, and Ren himself is devastated by his mother’s death and loses the desire to live. And then on the first anniversary of Kyoko’s death, Haruki and Ren pay a visit to her native home in the mountains where the family business of forestry has been maintained for 500 years. Haruki begins to seek the meaning of the “Tree of Happiness”, which Kyoko had written in her day planner. But first he must confront the cold treatment by his father-in-law, Shigeya, who had never approved of their marriage.

Dramatization based on the novel “RIKUOH” by Jun Ikeido. Koichi Miyazawa is the CEO of the longstanding company which manufacture tabi(traditional Japanese socks). Due to a decrease of demand for tabi thesedays, the Company, Kohazeya, has fallen upon hard times. For the company's survival, Miyazawa strikes upon the idea of creating a new type of running shoe that utilizes “tabi” making techniques to make the user feel as if running in bare feet. But the road ahead for a cash-strapped local company with a small staff is steep, and Miyazawa runs into continuous roadblocks only to be saved time and time again by those around him. Will he succeed in launching his running shoe and saving his company? Follow Miyazawa in this uplifting tale of economic revitalization.

An extremely fearful youth, Tenma Hokai, grudgingly runs a ghost extermination agency only because he hails from a long genealogy of those with special abilities to communicate with spirits. When a request comes in, he and his company colleagues strap on special devices and head for the haunted sites in what is a Japanese version of Ghostbusters. Or so one would hope. But alas, the weak-nerved Tenma can hardly bear the thought of encountering ghosts and tries instead to hear their grievances and rectify the problems that keep them in the corporal world, even through gentle persuasion. Meanwhile, Tenma must contend with a lady who follows him around, speak to his deceased father through dreams, a bothersome detective, a parade of quirky clients and spirits in what is far from a tale of horror but rather a hilarious comedy with comical interplay that also delivers a serious treatment on the meaning of "life" in a completely original drama.

Based on a novel by Japan's premier suspense novelist, Miyuki Miyabe. Four people are found brutally murdered in a luxury high-rise condominium populated by the rich and famous. But none are residents and nobody knows who they are or from whence they came. Why were they found dead here? The investigation only uncovers increasing layers of mystery with everyone that appears in the story hiding something in what amounts to a thrilling, top-shelf mystery about knotty human relations.

Entitled after a poem in Lewis Carroll's "Alice in Wonderland", about a hunter who was supposed to be hunt down and destroy a legendary monster called a Snark, but finds himself ruled by the thirst to kill, this vivid tale of suspense explores the frightful region of the human psyche that resides within us all. A man whose wife and child were brutally murdered loses all manner of reason and composure when the murderer gets of scot-free . Burning with homicidal anger, he himself transforms into a "monster" and plots an elaborate scheme which he is sure will exact perfect revenge.

May, 2007. The Jikei Hospital is a small clinic in Kumamoto Prefecture operating out of a pri-vate dwelling that begins accepting anonymous “deposits” (“Baby Post”) of unwanted infants abandoned by their parents for various reasons under the operational name, “Stork Nest.” Based on a true story, this moving human drama, fictionalized to protect privacy, depicts the passion and dedication of hospital staff as they rescue 92 abandoned infants over a period six years, all the while overcoming public criticism.