2005.7.3 - 2005.9.18
10 episodes 75 min x 2 eps / 60 min x 8 eps
For International Broadcasters, Distributors, Licensees
Be with you いま､会いにゆきます 지금, 만나러 갑니다 現在、好想見你
2005.7.3 - 2005.9.18
Episode / Duration
10 episodes 75 min x 2 eps / 60 min x 8 eps
“Mommy will be back in the rainy season.” Mio Aio wrote these words in a picture book just before passing away. Though six-year old Yuji accepts his mother’s death, he still believes the promise his mother made. Then the rainy season comes, and Yuji and his father, Takumi, meet a woman in the downpour that bears an uncanny resemblance to Mio, but has no recollection of who she is. Taking her in, they reacquaint her with her former self and family life returns to normal as memories come flooding back. But their new life together is interrupted by the discovery of Mio’s old diary, which reveals the secrets of her past and how they must say goodbye in six weeks time….
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60 min x 12 eps｜12 episodes
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仰げば尊し 우러러보니 존귀한 仰望師恩
85 min × 1 ep / 75 min × 1 ep / 60 min × 6 eps｜8 episodes
It is called “The Musical Koshien”, the All-Japan Wind & Brass Band High School Championship. Regional rounds begin across the country every July, gradually narrowing a field of over 3,000 high school bands to just about a dozen for the finals. Amid the event’s long history, one public school is legendary for having risen from complete anonymity to national champion. In 1983, Kanagawa Prefectural Noba High School was a rough and tumble, low-rated school with a music room littered with cigarette butts and an inactive brass band club made up of hopeless slackers. But in the short span of 2 years, one man turned them around and made them national heroes. Based on a true story about a teacher named Nakazawa who spent 10 years guiding students to glory while battling cancer, this inspiring drama depicts two years in the life of a broken down musician (Koichi Hikuma), searching for meaning after suffering an accident that forced him out of a musical career, and the turnaround he orchestrates for himself and for the lives of his problematic students.
私結婚できないんじゃなくて、しないんです 전 결혼을 못하는게 아니라 안하는 겁니다 我不是無法結婚，我是不婚
75 min × 1eps / 60 min × 9eps｜10 episodes
People are increasingly choosing to marry later in life, or not at all. In Japan today, one in five men and women over 39 remain single. Miyabi is a beautiful, successful dermatologist leading a fulfilling life as a single, free and powerful woman. Although 39, she believes she can marry anytime, if so inclined. That is, until she learns from a straight talking tavern owner and romance specialist that her looks, career and age actually put her at the bottom of the marrying totem. Incensed by his claim, Miyabi sets out to prove him wrong, only to discover to her horror that he's right. If she wants to find a life partner, she's going to have to swallow her pride and play by some crazy rules.
図書館戦争 THE LAST MISSION 도서관 전쟁 THE LAST MISSION 圖書館戰争 THE LAST MISSION
The near future in Japan, in the age officially known as ‘Change for the Better’.
半沢直樹 한자와 나오키 半澤直樹
114 min x 1 ep / 85 min x 2 eps / 75 min x 1 ep / 70 min x 1 ep / 60 min x 5 eps｜10 episodes
It was the height of the Japanese economic bubble when Naoki Hanzawa landed a coveted job in a major bank. But he finds the life of a banker to be a stormy one. As a loan officer section chief, Hanzawa works to finance the Nishi Osaka Steel company 5 million dollars at the insistence of his stubborn branch manager, Asano, and without collateral! What appeared a blue chip company is actually a heavily indebted concern that has been cooking its books. Within 3 months of the loan, Nishi Osaka Steel goes bankrupt, and Hanzawa and his bank have been deceived out of 5 million dollars. Not willing to take the heat and jeopardize his career, Asano plots to lay the blame on Hanzawa. When called to headquarters in Tokyo to attend investigative hearings about the fiasco, Hanzawa decides instead to deny the money is lost and vows to recover it himself. A believer in the goodness of people, but aware that deception costs double, Naoki Hanzawa's life as a legendary maverick banker begins.
まっしろ 새하얗다 純白
75 min x 1 ep. / 60 min x 9 eps｜10 episodes
Screenwriter Yumiko Inoue and producer Hiroki Ueda join forces to spin a wholly new type of nurse story reminiscent of an ancient inner palace drama. Set in a top-class hospital where nurses cater to a very exclusive and well-heeled class of clientele, a once altruistic nurse, Akari Arimura, lands work in the hospital where the country’s most elite politicians, entertainers and intelligentsia spare no cost for pampered medical care.
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This is a unique program that introduces “izakayas” (Japanese-style bars) in downtown Tokyo, where “any adult can drop by alone when ever he feels like it.” One izakaya began as a food stall 80 years ago, another one serves raw pork guts… Every izakaya serves its own unique variety of Japanese sake and dishes, and viewers can enjoy watching the reality of the dramatic lives of its people. The program features the wonderful drinking experiences of illustrator Rui Yoshida and offers an introduction to the humanity of the people of downtown Tokyo.
重版出来！ 중쇄를 찍자!
75 min × 1 ep / 60 min × 9 eps｜10 episodes
Kokoro Kurosawa is a musclebound judo athlete who upon graduation from university joins a major publishing company and is assigned to the editing desk of a weekly comic magazine called “Vibes”, full or very unique individuals and oddly-named senior editor, Iokibe. She becomes enthralled with the world of comic publishing with all of its meetings with serial cartoon writers, discovery of new talent, negotiating of issue volume, and working to secure second print runs. Despite her enthusiasm, Kokoro comes face to face with the hard realities of publishing as more content goes digital, and the days of the printed page appear numbered. If a comic book series doesn’t catch fire by its 3rd volume, it is doomed. Hoping to resuscitate fading “manga” artists on the cusp of oblivion, Kokoro and her colleagues strike upon a unique plan to produce a big hit, but must contend with their marquee writer being headhunted by a rival magazine, and the constant threat of discontinued publication. It’s one crisis after another for this plucky editing team.
逃げるは恥だが役に立つ 도망치는건 부끄럽지만 도움이 된다 逃避虽可耻但有用
75 min × 3 eps / 60 min × 8 eps｜11 episodes
Mikuri is a young woman with a graduate degree. But when no offers of employment come her way, she’s forced into taking on temp work and confronting “the painful realization that nobody needs her.” That’s when Mikuri lands a job as a professional homemaker for a strait-laced bachelor named Hiramasa. Mikuri’s perfectionist work ethic wins over Hiramasa’s complete trust, but unfortunate circumstances result in the loss of this job, too. Feeling anxious about the future, Mikuri makes Hiramasa a strange offer. “Would you consider employing me through marriage?” He agrees, and a nuptial agreement is signed, making the two legally betrothed in a somewhat falsified life as husband/employer and wife/employee.