2013. A brilliant physicist, Reizi Matsushima, has been murdered, but nobody knows why. His beloved fiancé, Mayo Ando, soon finds her life in danger as well as she is pursued by the unknown killer. Seemingly out of nowhere - from her desk drawer! - a mysterious "man" appears who calls himself Roid and is the spitting image of Reizi. Roid proceeds to make it his singular mission to protect Mayo from danger while espousing that "justice without power is meaningless." Yet to Roid, words like "love" are unfamiliar as are human anger or grief. Wary at first, Mayo gradually begins to harbor feelings for Roid due to an existential sadness she detects in him amid a world where motives intersect between the present and the future 100 years ahead. What does fate have in store for a woman who has lost love and a man who doesn't understand it?

The sequel to "BOYS OVER FLOWERS" which received high viewership and caused quite a stir! In the first series, Domyoji and Tsukushi confirmed their feelings for each other, but Domyoji has gone to New York all alone. What will happen to the fate of their love? In addition to having all the original cast members as the first series, new characters appear one after another.
"BOYS OVER FLOWERS 2" was a hit program that received an average audience rating of 21.6%.

DigiCon6 ASIA, which began in 2000, has grown to become Asia’s largest short movie film festival. Currently, 10 countries and regions participate including Japan, China, Taiwan, India, Hong Kong, Korea, Malaysia, Singapore, Thailand and Indonesia. All submitted works have an easily viewable running time of 15 minutes or less, running the gamut of formats from CG animation (2D & 3D) and stop motion/clay animation to live action, and spanning a wide variety of genres from children’s animation and human drama to action and science fiction. Carefully-selected works by Asia’s top film creators are presented.
Over 100 works
15 minutes or less per work
Single-story format

Mayako, a married woman, finds her life of comfort and casual affairs thrown into disarray when she unexpectedly falls in love with a younger man. Here is a modern fable of the moral dilemmas facing today’s women, in a time where the expectations of love, marriage, and divorce from earlier generations no longer seem true.

Mitsu is a 29-year-old woman who married “the number 2 man in her life,” but has been unable to forget her first love, Arishima. When she accidentally encounters him after several years, she feels it is destiny calling, and the two spend one night together in secret from their spouses. Airtime himself has just begun a family of his own, with a newborn child, but he and Mitsu find themselves continuing their affair. While they at first enjoy what seems to be a no-strings at-tached affair, it gradually begets subtle changes in feeling. Mitsu’s husband, Ryota, becomes aware of the affair and ups his devotion to her to keep her. Meanwhile, Arishima’s wife, Reika, is a picture perfect mother and devoted wife, throwing this four-way relationship into an increas-ingly complicated web of mixed emotions.

Asuka had once realized her goal to become a teacher, but after a gutting failure, she gives up her dream profession and becomes extremely withdrawn. After a series of events, she finds herself becoming a live-in housemother for a dorm... where the boy band septet 8LOOM live together!
At the dorm, she is reunited with her former student Dan—as a teacher, Asuka used to encourage him to go for his dreams. Inspired by Dan’s leadership in the band and his passion for making his dream come true, Asuka, too, regains the passion she had in her teaching days and comes to terms with her own failure.
Don’t miss this adorable story about a woman’s journey to new heights in work, friendship, and romance!

Yamakura of the Kobe Fire Department aspires to wear the vaunted “orange” uniform of an elite rescue force that only 3% of all firefighters can attain. But to do so, he and his fellow trainees must suffer through the most rigorous training. As Yamakura and his fellow trainees grit their teeth and complain, their superior officer, Sakurai, impresses upon them the lessons of the Great Hanshin Earthquake (Kobe Earthquake) 20 years ago as “the only time we ever lost.” What hap-pened on the front lines of rescue that day and in the aftermath? What raced through the hearts and minds of rescuers as they tried to get a handle on unimaginable disaster? The shocking facts pour from Sakurai’s mouth in hopes of preparing the recruits for the unforgettable event that awaits them.

The setting is the Tsukishima district of Tokyo where the Summer Olympic Games will be held in five years. A small old-fashioned confectionary shop, “Sakuraya” stands as a remnant of the past amid the rapidly changing cityscape. Akiko Sakurai has been running the shop on a shoestring for over 50 years, along with her grandson, Taro (33) whom she raised form childhood after he lost his parents in a traffic accident. With them also is Reiko, a single mother who has returned to Tsukishima with her child. Seemingly left behind by a fast-moving world, Taro appears as something of a “loser” who finds himself reexamining his lost childhood in an effort to move forward. Life takes a strange turn when his grandmother, Akiko, receives a letter that she is being sued for damages because her cat, Mi-chan, allegedly scratched up a neighbor’s luxury car. What should be an easy case to win turns into a fumbling mess at the hands of Taro who can’t seem to win for losing in this wacky yet endearing and slightly heartwarming late-night drama.

A woman is found strangled to death in an apartment in Tokyo’s Katsushika Ward.
The victim is Michiko Oshitani, a resident of Shiga Prefecture who worked for a home cleaning company.
What’s more, the occupant of the apartment where the murder took place, Mutsuo Koshikawa, has gone missing.
Matsumiya (Junpei Mizobata) and his fellow detectives of the Tokyo Metropolitan Police’s Investigation Section 1 begin investigating, but hit a brick wall when they fail to find any links between Oshitani and Koshikawa.
Why was Oshitani, who lived in Shiga, killed in Tokyo?
Eventually, the detectives’ inquiries lead them to a theater director named Hiromi Asai (Nanako Matsushima).
They learn that Oshitani came to Tokyo to visit her former classmate Asai, but again come up with nothing when searching for connections between Asai and Koshikawa, and their investigation grinds to a halt.
Matsumiya has a hunch that a charred corpse found nearby the murder scene may have some relevance to the case, and subsequently discovers an item among the victim’s belongings with the names of Nihonbashi’s 12 bridges written on it.
When Kyoichiro Kaga (Hiroshi Abe) learns of this, he is deeply shaken.
It is somehow connected to his mother, who died alone...

"The Family", the program commemorating the 55th anniversary of the launch of the TBS TV station, is a social drama depicting the inside story between bureaucrats, politicians and big businesses over a bank merger revolving around the family discord between Daisuke Manpyou, the owner and president of Hanshin Bank, and his eldest son, Teppei. A program that was a big hit, "The Family" recorded average audience ratings of 23.9% in the Kanto region and 30.4% in the Kansai region.