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Everyone's Demoted!! 集団左遷!!   집단좌천!!   集團左遷 !!

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“If you don’t make your quotas, you’re all fired!”
Desperate bankers battle a colossal organization In a fight song for the masses.
Hiroshi Kataoka is a banker who knows things aren’t right, but endures it anyway. “It’s for the good of the company,” he tells himself. And Hiroshi is true and proper Japanese “salaried man.” But he’s also a man of passion who can’t help but be moved by the hard work of his subordinates and colleagues. So right before his 50th birthday, when he gets news that he will be promoted to manager of the Kamata branch that has been earmarked for eventual closure, he is conflicted. “Don’t kill yourself working for a branch that’s closing,” his bosses advise him. “You’ll get good treatment when you return to headquarters afterwards.” But no one under Hiroshi has any knowledge that their jobs are doomed.
「책임량을 달성하지 못하면 모두 해고! 나도 해고다!」
궁지에 몰린 은행원들이 거대한 조직의 불합리에 맞서 싸우는 포기하지 않는 모든 이들에게 보내는 응원가

은행원 가타오카 히로시는 불합리한 일일지라도 참고 견디며「회사에서 살아남기 위해서」라고 생각하는 샐러리맨.
하지만, 부하와 동료들의 노력에 끌려다니는 뜨거운 정을 가진 남자이기도 하다.
50세를 눈앞에 두고 지점장으로 승진 인사명령을 받지만 부임처는 폐점이 결정되어있는 카마타지점이었다.「폐점이 결정되었으니 노력하지 않아도 된다. 폐점 후에는 본부로 복귀 우대된다」라는 말을 듣는다. 폐점이 될 것을 모르고 일하는 직원들 사이에서 가타오카는 갈등한다.
“如果沒有達到定額,每個人都要被開除!我也要被開除!”
陷入窘境的銀行職員們一起反抗巨大組織的不講理行爲
這是送給每個不會放棄的人的應援歌

主角的片岡洋是個銀行職員,雖然知道有些事情不合理,但一直沉默忍耐,認為“這樣才能在公司生存下去”,是一個典型的上班族。
然而,他常常被下屬和同事的辛勤工作打動而表示感謝,也是一個熱門人物。
雖然在50歲之前被提升爲支行行長,但調任去的支行竟是已經確定廃店的蒲田支行。
上級主管部門說“因為廢店已經決定,你不需要努力工作,總部將在廢店以後給予優惠待遇”,可是什麼都不知道的同伴們像往常一樣工作,片岡就在兩者中煩悩而感痛苦。

100 days ~Love, Marriage, Sickness and Mom~

結婚式の前日に   결혼식 전날에   結婚前夕

75 min × 1 ep / 60 min × 9 eps|10 episodes

Hitomi Serizawa leads a fulfilling professional and private life. What’s more, she will be getting married in 100 days. Plans are progressing smoothly until the unexpected appearance of her mother after an absence of 25 years. A free-spirited woman who lives impulsively and abandoned Hitomi to her stepfather, the mother, Kanako has suddenly decided to re-enter her daughter’s life in time to bask in the attention and respect given to the mother of a bride. Naturally, Hitomi is incensed and galled by the idea. But Hitomi soon finds out that her mother knows her intimately, for she has been corresponding with her mother all her life, believing her to be a childhood friend who moved away. As a result, Kanako knows all of HItomi’s closest-kept secrets, her innermost thoughts, everything about her upcoming marriage and even… that she was recently diagnosed with a life-threatening brain tumor that may ruin plans for the wedding. Hitomi makes every effort to resist her mother’s unsolicited intrusion into her life, but blood is thicker than water. And so begins the 100-day battle between a mother and daughter. Can it end well?

99 Years of Love: JAPANESE AMERICANS

99年の愛~JAPANESE AMERICANS   99 년의 사랑〜JAPANESE AMERICANS   99年的愛〜JAPANESE AMERICANS

150 min x 2 eps / 139 min x 2 eps / 125 min x 1 ep|5 episodes

99 years ago, a Japanese man emigrated to the vast expanse of America with hopes of survival and dreams of a brighter future. He and those like him were settlers, 1st generation Japanese-Americans. From them were issued a second generation which grew up bearing little knowledge of, nor devotion to, their parents’ homeland. And yet fate was to deliver them all a cruel blow... as war proceeded to tear them apart along national and generational lines. This is a story about Japanese immigrants who endured the horrors and tragedy of war, overcame deep prejudice and attained their dreams in a new land through love and courage.

Dr.STOЯKS

コウノドリ   產科醫鴻鳥   고우노도리

75 min × 2 eps / 60 min × 8 eps|10 episodes

Giving birth is not an illness. So naturally, it is not covered by standard medical insurance. People who work in maternity wards don’t treat injuries or cure disease. In fact, a professional doctor, an obstetrician, need not be present at a childbirth. But when complications arise, giving birth can become a life-or-death matter. Sakura Konotori lost his mother at his own birth and, as a result, grew up in an orphanage. Now he works as an obstetrician fueled by a deep love and yearning to “celebrate each and every baby that comes into the world”. But he is also something of a mystery, leading another life as a concert pianist who goes by the nickname “Baby” and plays with a passion that borders on brilliance. A delicate and realistic portrayal about the front lines of childbirth, Storks delivers a heartwarming drama that reflects upon the meaning and miracle of life.

High School Chorus

表参道高校合唱部   오모테산도 고교합창부   表参道高校合唱部

75 min x 1 ep / 60 min x 9 eps|10 episodes

Tokyo metropolitan Omotesando Senior High School is lorded over by a group of popular kids dubbed “the first team.” The rest of the student body either fall into the “second team” or lower, “the outsiders.” One day, a transfer student arrives at the school from the remote countryside as an unlikely heroine who “loves to sing!” The high school used to have one of the country’s best choruses, but is now facing the threat of closure. But the story’s heroine is determined to resuscitate the chorus and sets out to recruit new members. Fighting off a storm of ridicule and booing, she gradually begins to win allies to her cause with single-minded passion and hard work. What begins as a ragtag collection of misfits in a dorky glee club crescendos to a refreshing and bittersweet spring-of-youth drama!

Meet Me After School

中学聖日記   첫사랑 일기   中學聖日記

67 min x 11 eps|11 episodes

Fulfilling a long-cherished dream, school teacher Hijiri Matsunaga is hired at a far-flung countryside middle school where she encounters, Akira Kuroiwa, a 9th grader with mysterious powers. Though 10 years younger than his teacher, Akira falls instantly in love with her and single-mindedly pursues her affections. But Hijiri has a devoted finance, Shotaro, with whom she keeps up a long-distance relationship. Aware that she should not reciprocate her student’s feelings for her, Hijiri eventually finds her heart swayed by Akira’s unremitting love and becomes attracted to him. Deeply conflicted between the affections of a pubescent youth and an elite company man, Hijiri’s “forbidden” love triangle engulfs those around her in this “forbidden yet pure” love story between student and pupil.

PLEASE LOVE ME!

ダメな私に恋してください   별볼일 없는 나를 사랑해 주세요   請和這個沒用的我談戀愛

75 min × 1 ep / 60 min × 9 eps|10 episodes

Michiko Shibata is single, unattached and unemployed after her previous employer went bankrupt. Failing to land a job, she leads a destitute life surviving mainly on cabbage but craving meat. And she has tapped out financially after lending all of her savings to a handsome young man she pines after.
Her life reaches an all-time low when she reaches for a can of cat food found on the street, but just then, former supervisor, Kurosawa appears and wonders what she’s doing. ”I’m dying for meat,” she wines. So Kurosawa takes her to a coffee shop he runs called “Himawari” (Sunflower) and offers her a part-time job. Michiko hesitates as she remembers the nightmarish life working under this tyrannical man at the last company. But at Himawari, he seems to show a different side. Maybe the fortunes of this sorry woman is about to change.

S: THE LAST POLICEMAN-Recovery of Our Future-

S 最後の警官 Recovery of Our Future   S 최후의 경관 Recovery of Our Future   S 最後的警官 Recovery of Our Future

119 min.

A nation of people seemingly content to go about their business, not thinking too much, but simply trying to lead normal and peaceful lives. And then one day, a bus jacking incident occurs to rouse them from their reverie.
Ex-boxer turned cop, Ichigo Kamikura leads the NPS (National Police Safety Rescue), called “S”, effort to deal with the crisis, but so far, no demands have come from the perpetrator, and a sinking feeling of impending doom sets in among the force. Sure enough, a massive tanker off the Japanese coast in the Pacific is next reported as having been seized! On board is enough nuclear fuel to blow up the entire country.
A final battle begins with the nation’s future and the lives of 120 million at stake.....!

When the Saints Go Marching In

聖者の行進   성자의 행진   聖者的行進

75 min x 1 ep / 60 min x 10 eps|11 episodes

Exploring the perception and treatment of mentally-challenged youth and their similarities to juvenile delinquents in Japanese society, this drama series follows the trials and tribulations of a group of adolescents in a work/study program for mentally-challenged teenagers. Although the program’s intention is to gently “normalize” them for introduction in society, the group is subject to constant physical and mental abuse unbeknownst to their parents and teacher, Ms Hagawa. However, the friendship between Towa, a naive but unusually articulate member of the program, and Arisu, a rebellious schoolgirl, helps both of them learn to overcome their troubles. Features a star-studded cast of current popular youth idols.

YAMEGOKU〜HELPLINE COP〜

ヤメゴク〜ヤクザやめてもらいます〜   야메고쿠 ~야쿠자 그만두겠습니다~   脫黑~不再當黑社會~

78 min x 1 ep / 70 min x 1 ep / 60 min x 8 eps|10 episodes

Inside the Metropolitan Police’s Organized Crime Task Force, a help line has been set up to assist repentant organized criminals in their effort to permanently cut ties with their syndicate. Dubbed the “Going straight hotline”, it is spearheaded by a fearless female police officer Bakushu Nagamitsu, played by former AKB48 member Yuko Oshima, who stands ready to crush anyone threatening those under her protective custody no matter how powerful that threat may be. Depicting the struggles and maturation of Bakushu and those around her, “Yamegoku” is a groundbreaking police drama with great heart and soul not seen since “SPEC” and “Keizoku”.

You're Not Alone

ひとりぼっちの君に   홀로인 너에게   不讓你孤單

60 min. x 12 eps.|12 episodes

His mother having left him, nine year-old Yuudai is forced to live alone and steal from a local convenience store to survive. Pursuing the wily thief to get back the stolen merchandise is the first act on the job for newly-arrived Shintaro, manager of the convenience store. Shintaro soon learns of Yuudai’s predicament however, and decides to take him in. Becoming his new family, Shintaro and his assistant, Satomi, soon discover that caring for a young boy who has such a troubled past and who is accustomed to fending for himself may be more than they can handle.