The 70th floor of a Yokohama skyscraper is ablaze with 193 lives trapped inside. MER rolls into action determined to save everyone.

Winning “Best Asian Drama for a Regional/Int’l Market at ContentAsia Awards 2022” and “Best Actor for 4th Asia Contents Awards”, TV series “TOKYO MER: Mobile Emergency Room" first aired in 2021 on TBS.
The protagonist is MER ("Mobile Emergency Room"), a team of emergency professionals on wheels formed by the Tokyo governor with one mission only: to prevent a single death. Tasked with rushing to the scene of major accidents, disasters, and crimes, MER is armed with state-of-the-art medical equipment, a mobile operating room, and an elite staff ready to risk all to save lives.


★Best Asian Drama for a Regional/Int’l Market at ContentAsia Awards 2022 (“TOKYO MER” TV series)

★Ryohei Suzuki / Best Actor for 4th Asia Contents Awards (“TOKYO MER” TV series)

With the successful Mobile Emergency Room (MER) slated for nationwide roll out. The Ministry of Health, Labor and Welfare sends medical technician Aoto to replace MER lead doctor Otowa as “second doctor.” But Aoto has his own agenda on behalf of the ministry. Then when a runaway houseboat collides with a passenger shuttle on the Sumida River, team leader Kitami lays politics aside and boards the boat alone knowing an explosion is imminent but dedicated to defending MER’s "zero fatalities" mission.

Kota Kitami, a brilliant young ER doctor, has been handpicked by Mayor Azusa Akatsuka to head a new emergency response team dubbed TOKYO Mobile Emergency Room, or MER, outfitted with leading-edge medical technology and a large mobile operating theatre to respond to major accidents, natural disasters, and other emergencies. Their mission is simple: Save every life. Team member Nao Otowa, sent by the Ministry of Health, Labour and Welfare on a secret mission, ends up forming a close professional bond with Kota, and together the two men put their lives on the line every day to rescue others. But perhaps there’s more to Kota’s superhuman bravery and self-sacrifice than meets the eye...

Don’t miss this heartwarming, madcap romantic comedy!
Nami is an ordinary small-town girl with no special dreams or ambitions, someone who goes along to get along and wants nothing from life but a modicum of happiness. Then she moves to the big city to pursue her childhood crush. In Tokyo she by chance lands a job at a major fashion magazine where she meets the glamorous but intimidating Reiko, the youngest editor-in-chief in the magazine’s history, and Junnosuke, a dashing and loveable young photographer. Nami soon finds herself trying to satisfy the demands of her domineering, workaholic new boss while navigating the pitfalls of workplace romance. Along the way she discovers her values, her ambition, and a sense of purpose.

A mysterious disease that infects surrounding organisms, nefarious genetic manipulation, an unknown pathogen from overseas. With technology advancing at such a breakneck pace, unanticipated and incomprehensible accidents are bound to occur.
Arriving to confront the many new challenges of modern science and medicine is a brilliant, introverted and eccentric scientist with a robotic prosthetic hand, his empathic assistant fueled by a passion for justice, and a coolly-competent and beautiful bureaucrat.
Outwardly, the trio could hardly be more different in appearance and personality, but together, they employ brilliant methods to solve baffling mysteries in each episode and save many from untold suffering.
Savor the satisfaction of a puzzle-solving drama filled with plenty of life-affirming inspiration, and highlighted by a compelling mystery. It is an incisive foray into the whirlpool of modern desire and ambition combining science, medicine and mystery for a wholly new style of whodunit entertainment.

Political circumstances force upstart doctor, Kazuaki Okita, to leave a busy hospital life and his girlfriend behind and go to the United States where he takes part in countless operations and develops into a top-notch surgeon. Then, at the behest of his ex-lover’s father, he returns to Japan to find his girlfriend has gone and married his best friend who actually masterminded Okita’s original exile from the hospital ten years ago. Unbeknownst to all of this, Okita is reunited with his ex-lover and best friend and the varying peculiarities of the hospital staff. Though awkward at times, Okita is single-minded in his pursuit of good medicine, endearing him to his patients and forcing his colleagues to rethink the true meaning of medicine and the value of life in a hospital drama swirling with passion, ambition, friendship, jealousy and pride.

Screenwriter Yumiko Inoue and producer Hiroki Ueda join forces to spin a wholly new type of nurse story reminiscent of an ancient inner palace drama. Set in a top-class hospital where nurses cater to a very exclusive and well-heeled class of clientele, a once altruistic nurse, Akari Arimura, lands work in the hospital where the country’s most elite politicians, entertainers and intelligentsia spare no cost for pampered medical care.
Seeking a rich husband after enduring harsh treatment at her former place of employment, Arimura finds herself once again at the bottom of a rigid pecking order controlled by a domineering head nurse who makes life hell for Arimura and her fellow, low-ranking, “generic” nurses as they become embroiled in “palace” politics, infighting and romance. A moving and romantic tale of personal growth proving that nurses are human, too.