TBS Program Catalog

My Second AOHARU マイ・セカンド・アオハル   마이 세컨드 아오하루   我的第二青春

Inquiry

Print

Sayako is approaching 30 and has begun to mourn a life devoid of money and an education. “It wasn’t supposed to turn out like this,” she sighs, lamenting her past failed college entrance exams. That’s when she meets college student, Taku, whose words of encouragement rekindle her desire to chase a once abandoned dream of becoming an architect. As a 30-year-old office worker, Sayako joins with Gen-Z college students to embark upon a new chapter and second youth in life.
사야코는 학력도 돈도 없는 사회인. 예전 건축에 대해 배우고 싶어 대입시험에 도전하지만 실패한다. 이후「아, 이게 아니야.」라는 생각을 품으면서 서른 살을 맞게 된다. 그런 가운데 사야코는 대학생 타쿠를 만난다.
「그때 대학에 갔더라면 다른 인생이었을까?」라고 털어놓는 사야코에게 타쿠의 한마디가 계기가 되어 운명이 크게 움직이기 시작한다…!
한차례 포기했던 건축가의 꿈을 이루기 위해 다시 배우기로 결심하고 별 볼일 없는 회사원에서 서른 살 대학생이 된다!
인생 제2막을 시작한 사야코가 현재를 살아가는 대학생들과 함께 펼치는 세컨드 청춘 러브 코미디!
佐彌子是個沒學歷也沒錢的社會人士。過去曾經想學習建築而挑戰過大學指考,但最後以失敗告終後,她總是帶著「我不應該是這樣」的想法,迎接了30歲。
此時,她認識了名為拓的大學生。
正當佐彌子提起「若當時我有去唸大學,或許會有不同於現在的人生」,拓的一句話成為
轉動她命運的契機…!
為了再次抓住自己曾放棄的建築夢,佐彌子決定重新學習,從底層OL變身為30歲大學生!
開啟人生新章節的佐彌子與令和大學生們,一同展開這場第二幕・青春喜劇!

100 days ~Love, Marriage, Sickness and Mom~

結婚式の前日に   결혼식 전날에   結婚前夕

75 min × 1 ep / 60 min × 9 eps|10 episodes

Hitomi Serizawa leads a fulfilling professional and private life. What’s more, she will be getting married in 100 days. Plans are progressing smoothly until the unexpected appearance of her mother after an absence of 25 years. A free-spirited woman who lives impulsively and abandoned Hitomi to her stepfather, the mother, Kanako has suddenly decided to re-enter her daughter’s life in time to bask in the attention and respect given to the mother of a bride. Naturally, Hitomi is incensed and galled by the idea. But Hitomi soon finds out that her mother knows her intimately, for she has been corresponding with her mother all her life, believing her to be a childhood friend who moved away. As a result, Kanako knows all of HItomi’s closest-kept secrets, her innermost thoughts, everything about her upcoming marriage and even… that she was recently diagnosed with a life-threatening brain tumor that may ruin plans for the wedding. Hitomi makes every effort to resist her mother’s unsolicited intrusion into her life, but blood is thicker than water. And so begins the 100-day battle between a mother and daughter. Can it end well?

99 Years of Love: JAPANESE AMERICANS

99年の愛~JAPANESE AMERICANS   99 년의 사랑〜JAPANESE AMERICANS   99年的愛〜JAPANESE AMERICANS

150 min x 2 eps / 139 min x 2 eps / 125 min x 1 ep|5 episodes

99 years ago, a Japanese man emigrated to the vast expanse of America with hopes of survival and dreams of a brighter future. He and those like him were settlers, 1st generation Japanese-Americans. From them were issued a second generation which grew up bearing little knowledge of, nor devotion to, their parents’ homeland. And yet fate was to deliver them all a cruel blow... as war proceeded to tear them apart along national and generational lines. This is a story about Japanese immigrants who endured the horrors and tragedy of war, overcame deep prejudice and attained their dreams in a new land through love and courage.

BOYS OVER FLOWERS

花より男子   꽃보다 남자   流星花園

75 min x 1 ep / 60 min x 8 eps|9 episodes

Set at a famous high school for the super-wealthy, this is a puppy love story centered on Tsukushi Makino a poor girl, and the F4 gang of rich kids headed by the rough and fearless Prince Charming Tsukasa Domyoji. A total of 55 million copies of the popular original comic have been published, and the story has been turned into a movie and TV animation. In 2001, it was remade as a TV drama series in Taiwan, and has been broadcast in 13 countries worldwide, achieving high ratings. Producer Katsuaki Setoguchi based his casting on the characters as portrayed in the original manga. “By showing these kids growing up together, and their social interactions in all their clumsiness,” he says, “I wanted to ask, what is really important in life, and how do we live true to ourselves, and love another person?”

Dr.STOЯKS

コウノドリ   產科醫鴻鳥   고우노도리

75 min × 2 eps / 60 min × 8 eps|10 episodes

Giving birth is not an illness. So naturally, it is not covered by standard medical insurance. People who work in maternity wards don’t treat injuries or cure disease. In fact, a professional doctor, an obstetrician, need not be present at a childbirth. But when complications arise, giving birth can become a life-or-death matter. Sakura Konotori lost his mother at his own birth and, as a result, grew up in an orphanage. Now he works as an obstetrician fueled by a deep love and yearning to “celebrate each and every baby that comes into the world”. But he is also something of a mystery, leading another life as a concert pianist who goes by the nickname “Baby” and plays with a passion that borders on brilliance. A delicate and realistic portrayal about the front lines of childbirth, Storks delivers a heartwarming drama that reflects upon the meaning and miracle of life.

High School Chorus

表参道高校合唱部   오모테산도 고교합창부   表参道高校合唱部

75 min x 1 ep / 60 min x 9 eps|10 episodes

Tokyo metropolitan Omotesando Senior High School is lorded over by a group of popular kids dubbed “the first team.” The rest of the student body either fall into the “second team” or lower, “the outsiders.” One day, a transfer student arrives at the school from the remote countryside as an unlikely heroine who “loves to sing!” The high school used to have one of the country’s best choruses, but is now facing the threat of closure. But the story’s heroine is determined to resuscitate the chorus and sets out to recruit new members. Fighting off a storm of ridicule and booing, she gradually begins to win allies to her cause with single-minded passion and hard work. What begins as a ragtag collection of misfits in a dorky glee club crescendos to a refreshing and bittersweet spring-of-youth drama!

LIBRARY WARS: THE LAST MISSION

図書館戦争 THE LAST MISSION   도서관 전쟁 THE LAST MISSION   圖書館戰争 THE LAST MISSION

120 min.

The near future in Japan, in the age officially known as ‘Change for the Better’.
It is a time in which the expression of thought is censored, and the media is tightly controlled. Bearing up under a harsh regimen of instruction under the terrifying Atsushi Dojo, Iku Kasahara is now a full-fledged member of the Library Defense ‘Task Force’, and divides her time between hard physical training and regular library work. Dojo and the rest of the Task Force are ordered to guard a public exhibition featuring ‘The Handbook of Library Law’, a book widely seen as the symbol of freedom, of which there is only one existing copy. The assignment seems easy enough, but this is in fact a trap designed to wipe out and thus disband the Task Force and restore a twisted society to the correct moral path. Can Dojo and his unit defend both an invaluable book and themselves? The members of the Task Force must put their lives on the line in the greatest battle they have ever faced: The Last Mission.

NAOKI HANZAWA

半沢直樹   한자와 나오키   半澤直樹

114 min x 1 ep / 85 min x 2 eps / 75 min x 1 ep / 70 min x 1 ep / 60 min x 5 eps|10 episodes

It was the height of the Japanese economic bubble when Naoki Hanzawa landed a coveted job in a major bank. But he finds the life of a banker to be a stormy one. As a loan officer section chief, Hanzawa works to finance the Nishi Osaka Steel company 5 million dollars at the insistence of his stubborn branch manager, Asano, and without collateral! What appeared a blue chip company is actually a heavily indebted concern that has been cooking its books. Within 3 months of the loan, Nishi Osaka Steel goes bankrupt, and Hanzawa and his bank have been deceived out of 5 million dollars. Not willing to take the heat and jeopardize his career, Asano plots to lay the blame on Hanzawa. When called to headquarters in Tokyo to attend investigative hearings about the fiasco, Hanzawa decides instead to deny the money is lost and vows to recover it himself. A believer in the goodness of people, but aware that deception costs double, Naoki Hanzawa's life as a legendary maverick banker begins.

PLEASE LOVE ME!

ダメな私に恋してください   별볼일 없는 나를 사랑해 주세요   請和這個沒用的我談戀愛

75 min × 1 ep / 60 min × 9 eps|10 episodes

Michiko Shibata is single, unattached and unemployed after her previous employer went bankrupt. Failing to land a job, she leads a destitute life surviving mainly on cabbage but craving meat. And she has tapped out financially after lending all of her savings to a handsome young man she pines after.
Her life reaches an all-time low when she reaches for a can of cat food found on the street, but just then, former supervisor, Kurosawa appears and wonders what she’s doing. ”I’m dying for meat,” she wines. So Kurosawa takes her to a coffee shop he runs called “Himawari” (Sunflower) and offers her a part-time job. Michiko hesitates as she remembers the nightmarish life working under this tyrannical man at the last company. But at Himawari, he seems to show a different side. Maybe the fortunes of this sorry woman is about to change.

YAMEGOKU〜HELPLINE COP〜

ヤメゴク〜ヤクザやめてもらいます〜   야메고쿠 ~야쿠자 그만두겠습니다~   脫黑~不再當黑社會~

78 min x 1 ep / 70 min x 1 ep / 60 min x 8 eps|10 episodes

Inside the Metropolitan Police’s Organized Crime Task Force, a help line has been set up to assist repentant organized criminals in their effort to permanently cut ties with their syndicate. Dubbed the “Going straight hotline”, it is spearheaded by a fearless female police officer Bakushu Nagamitsu, played by former AKB48 member Yuko Oshima, who stands ready to crush anyone threatening those under her protective custody no matter how powerful that threat may be. Depicting the struggles and maturation of Bakushu and those around her, “Yamegoku” is a groundbreaking police drama with great heart and soul not seen since “SPEC” and “Keizoku”.

You're Not Alone

ひとりぼっちの君に   홀로인 너에게   不讓你孤單

60 min. x 12 eps.|12 episodes

His mother having left him, nine year-old Yuudai is forced to live alone and steal from a local convenience store to survive. Pursuing the wily thief to get back the stolen merchandise is the first act on the job for newly-arrived Shintaro, manager of the convenience store. Shintaro soon learns of Yuudai’s predicament however, and decides to take him in. Becoming his new family, Shintaro and his assistant, Satomi, soon discover that caring for a young boy who has such a troubled past and who is accustomed to fending for himself may be more than they can handle.