It all began quite suddenly. Akihito, who appears human but is actually half yomu with the power to quickly heal himself, sees a freshman girl who appears ready to jump from the school rooftop. The girl, Mirai, who has the ability to manipulate blood, which is unique even among members of the spirit world, continues to fight her isolation. Akihito decides at that moment to save Mirai, but disturbing events soon begin to unfold.

It is called “The Musical Koshien”, the All-Japan Wind & Brass Band High School Championship. Regional rounds begin across the country every July, gradually narrowing a field of over 3,000 high school bands to just about a dozen for the finals. Amid the event’s long history, one public school is legendary for having risen from complete anonymity to national champion. In 1983, Kanagawa Prefectural Noba High School was a rough and tumble, low-rated school with a music room littered with cigarette butts and an inactive brass band club made up of hopeless slackers. But in the short span of 2 years, one man turned them around and made them national heroes. Based on a true story about a teacher named Nakazawa who spent 10 years guiding students to glory while battling cancer, this inspiring drama depicts two years in the life of a broken down musician (Koichi Hikuma), searching for meaning after suffering an accident that forced him out of a musical career, and the turnaround he orchestrates for himself and for the lives of his problematic students.

Giving birth is not an illness. So naturally, it is not covered by standard medical insurance. People who work in maternity wards don’t treat injuries or cure disease. In fact, a professional doctor, an obstetrician, need not be present at a childbirth. But when complications arise, giving birth can become a life-or-death matter. Sakura Konotori lost his mother at his own birth and, as a result, grew up in an orphanage. Now he works as an obstetrician fueled by a deep love and yearning to “celebrate each and every baby that comes into the world”. But he is also something of a mystery, leading another life as a concert pianist who goes by the nickname “Baby” and plays with a passion that borders on brilliance. A delicate and realistic portrayal about the front lines of childbirth, Storks delivers a heartwarming drama that reflects upon the meaning and miracle of life.

Dyed-blonde student failure Sayaka mistakes a historical figure for a schoolyard insult, doesn't know north from south, or even that the earth is round. In her second year of high school, her academic ability is equivalent to that of a fourth-year elementary student. Then a meeting with a certain teacher, Tsubota leads to her taking on the seemingly impossible goal of gaining entrance to prestigious Keio University.
Although she once dabbled in delinquency, Sayaka begins to concentrate single-mindedly on her studies, which changes the people around her, including her family. All she needed was a teacher who she could trust wholeheartedly, and his unique approach to education. Sayaka and her mentor take on a challenge that seems utterly impossible, supported by her friends and family.

People are increasingly choosing to marry later in life, or not at all. In Japan today, one in five men and women over 39 remain single. Miyabi is a beautiful, successful dermatologist leading a fulfilling life as a single, free and powerful woman. Although 39, she believes she can marry anytime, if so inclined. That is, until she learns from a straight talking tavern owner and romance specialist that her looks, career and age actually put her at the bottom of the marrying totem. Incensed by his claim, Miyabi sets out to prove him wrong, only to discover to her horror that he's right. If she wants to find a life partner, she's going to have to swallow her pride and play by some crazy rules.
Modern romance and the plight of the working woman are scrutinized in this stylish yet real romantic comedy.

The near future in Japan, in the age officially known as ‘Change for the Better’.
It is a time in which the expression of thought is censored, and the media is tightly controlled. Bearing up under a harsh regimen of instruction under the terrifying Atsushi Dojo, Iku Kasahara is now a full-fledged member of the Library Defense ‘Task Force’, and divides her time between hard physical training and regular library work. Dojo and the rest of the Task Force are ordered to guard a public exhibition featuring ‘The Handbook of Library Law’, a book widely seen as the symbol of freedom, of which there is only one existing copy. The assignment seems easy enough, but this is in fact a trap designed to wipe out and thus disband the Task Force and restore a twisted society to the correct moral path. Can Dojo and his unit defend both an invaluable book and themselves? The members of the Task Force must put their lives on the line in the greatest battle they have ever faced: The Last Mission.

It is a warring period in feudal Japan. The warlord, Nobunaga Oda, is rapidly vanquishing his foes on a quest to pacify and unify the country under his rule. However, there is one domain that he forbids to lay a hand on, that of the Iga ninja, whom even the great Nobunaga fears most. The Iga are known to wield extraordinary and supernatural powers as invincible weapons of war who will assassinate anyone for money, and money only. They don’t think of people as human and are dubbed “the killer clan”. But there is one Iga ninja, Mumon, who while peerless in ability is indolent and taken to task for an inability to earn much of an income. In the fall of the year Tensho 7, Nobunaga’s second son, Nobukatsu Oda, decides to ignore his father’s orders and attack the Iga country, partly encouraged by Taizen Heki, a man who had once turned on his master and was now employed as a vassal of Nobukatsu. Heibe Shimoyama, whose brother had been killed by Mumon also seeks revenge on the 12 Iga ninja core, including Sandayu Momoji and Kai Shimoyama. Amid various colliding interests and schemes, ultimately, a major bloody showdown is coming between Oda’s army and the Iga ninja.

This is a unique program that introduces “izakayas” (Japanese-style bars) in downtown Tokyo, where “any adult can drop by alone when ever he feels like it.” One izakaya began as a food stall 80 years ago, another one serves raw pork guts… Every izakaya serves its own unique variety of Japanese sake and dishes, and viewers can enjoy watching the reality of the dramatic lives of its people. The program features the wonderful drinking experiences of illustrator Rui Yoshida and offers an introduction to the humanity of the people of downtown Tokyo.

INTRODUCTION
Reiko Yoshida pens an all-new coming-of-age story about the passion and purity of youth that will tickle and squeeze your heart. Yukiko Horiguchi’s renders exquisitely distinctive teen characters emerging from the throes of puberty into adulthood. Naoko Yamada directs a story replete with inexhaustible appeal and freshness. Three masters of the anime genre, forming a harmonious unit to cut one gemstone of a love story.

STORY
Spring. The start of senior year. Dusk. On the way home from school. Tamako, Midori and two friends discuss their futures with shades of trepidation and earnestness. Tamako responds with a casual air. She’s going to take over the family business. Meanwhile, her long time neighbor across the street, Mochizo, has come to a momentous decision. It augurs the start of many changes around them. Gradually, Tamako begins to feel a change of heart.

Reina Misaki is bank worker plagued by self-doubt for constantly bumbling her job. And then one night she attends a social mixer that leads to an interview with a public relations firm and a new job thanks to a whimsical president, despite her having given a very lackluster interview. On her first day at the new job, she is shocked to learn that her direct superior is Kusakabe, the very man who was so exasperated by her at the interview. Still, Reina also immediately earns the jealousy and enmity of fellow female workers who all pine after Kusakabe. But Kusakabe makes life a living hell for Reina, subjecting her to a daily barrage of work place abuse and criticism… until one day at a product meeting where she casually expresses an idea that much to her surprise gets adopted and becomes a major PR coup, drawing enormous media attention. Having transformed into the hottest person in the business, Reina is ecstatic when the company president names her to head up the next big account. It’s all smooth sailing until the day of the big campaign announcement when a host of trouble suddenly threaten to bring the world crashing down upon her. But someone steps in at the last minute with a helping hand: Kusakabe.